Feeds:
Posts
Comments

Archive for the ‘Short Fiction’ Category

john-paul-jaramillo authorA native of Southern Colorado, John Paul Jaramillo now lives, writes and teaches in Springfield, Illinois. He has an MFA in creative writing from Oregon State University, and presently holds the position of Associate Professor of English at Lincoln Land Community College.

His writing has been featured in Acentos ReviewCopper Nickel Review, Antique Children Arts Journal, Fogged Clarity Arts JournalDigest Magazine, Verdad Magazine, Polyphony Online, Paraphilia Magazine, Sleet Magazine and forthcoming in Palabra Magazine of Chicano and Latino Literary Art. 

He’s the author of the short story collection,The House of Order, published by Anaphora Literary Press.

About the cover…

“The artwork is from an amazing Illinois artist named Felicia Olin. Her work inspires me and this particular piece titled ‘Breathe Out’ caught my eye at an art showing at the University of Illinois Springfield. I’ve been told these stories are very raw and I hoped the artwork matched. I also liked the way composite stories could break down a family and also a man so that we might see a fuller understanding. A fuller dimension in the layers of storytelling and narration. I like the idea that narration of a story can give us the inside and outside view of something. As in Olin’s work I guess things aren’t as pretty on the inside of folks or in the inner-workings of the world. I’m all for more complication in fiction to match the complication that exists in what Amy Hempel calls ‘the problem of being alive.’ Hopefully when one reads the book they might see a fuller view of a man or character, or situation for that matter, they might otherwise ignore or become offended with.”

About his writing style…

“I’ve always been more interested in the form of books rather than the meaning. Expressing rather than communicating. I try to teach that to my students. Content only matters as much as it is organized and structured on the page and I have studied literary minimalism so closely. Obsessed with it really. I’m attracted to the idea of doing more with less. That’s the failed poet in my I guess. I’ve always been inspired with the minimalism of Amy Hempel and Denis Johnson. The minimal form works best with stories about such weighted subject matter such as abusive fathers or delinquent parents. I’ve tried to steal an elliptical and bare bones style to match the laconic male family members.”

About what makes a good story…

“I think I’m particularly interested in trouble. Folks getting in and out of trouble. The thing within folks that creates that trouble around them. Expecially Latino males. Tom Spanbauer describes his style as dangerous writing. And I’ve tried to steal that for my stories. I think finding the trouble and putting the reader in an uncomfortable position along with the characters creates the most interest for the reader. So that’s one. I also think the language needs to mean more to the writer than the reader. That comes from my study of poetry. Tracy Daugherty told his workshop members that language is a character’s skin. I like that idea. We have to get inside of our character utilizing more and more intimate language. I guess that’s when I started using more and more mixing and switching of English and Spanish in my stories. To match the intimate language of the old folks from Colorado that influenced me and that best represent me. So that’s trouble and language. I guess the story must also be affecting. And I guess I mean that stories need to be less plot-driven and more driven by emotion. The best stories that I return to again and again are stories that give less plot and storyline but through the deep use of language and care for the main character makes me feel the most. The work has to be character driven and affecting to create a true immersible experience to compete with films and television and more visual mediums.”

What’s next for John Paul Jaramillo…

“I’m working on a follow up to my first collection of stories. I’m tentatively calling the book Huérfanos named after the nearby county I grew up around and it is more of a traditional novel rather than literary minimalism styled collection of short stories. The criticisms of my shorter stories have been a complaint on the length of the stories. We don’t spend much time with characters and within a novel I can spend that time. I can give a fuller trajectory for the characters. I jump from generation to generation in the short work but I like the idea of adding even more dimension of time within a novel. I also like the idea of following more characters. I’m also interested in creative nonfiction essays about the steel mills and steel unions of Southern Colorado. I’m also interested in turning blog posts from my writing and teaching weblog I keep into fuller essays on the subject of so-called “Spanglish” and the use of intimate language within my written work. I’m interested in writing on the representation of Latinos in popular culture and in films as well as in literature.”

——————————————————————————–

house of order

The House of Order, the first collection of composite stories by John Paul Jaramillo, presents a stark vision of American childhood and family, set in Southern Colorado and Northern New Mexico. Manito Ortiz sorts family truth from legend as broken as the steel industry and the rusting vehicles that line Spruce Street. The only access to his lost family’s story is his uncle, the unreliable Neto Ortiz.

Amazon

Barnes and Noble

Read Full Post »

Born in Barnet, Hertfordshire, England, Barry left his beloved England in 2000, moving to the USA. Under the name “Storyheart,” Barry is better known for his short romance stories on the net and in his book “Stories from the Heart“. His first YA novel “Across the Pond” proved extremely popular with over 120 reviews on Amazon.  Now he is going back to his romantic roots with the first of a series of books “The Bathroom Book of Romance”.

Barry’s whit, oratory, and old-fashioned English charm make him a popular interviewee. He is also host of the popular radio show “A Book and a Chat” with over 450 shows under his belt.

 

Web Site:
http://romance2read.com

About the Book:

The Bathroom Book of Romance – Book 1 “ is the first in a series of books with short stories, is short enough to read over a cup of tea or coffee, or whenever you have some time to yourself, yet long enough to bring a tear to your eye or a smile to your face. In fact some people call them “bathroom stories” as that might be the only place you get five minutes peace and quiet to yourself.

Thanks for this interview, Barry! What was your inspiration for The Bathroom Book of Romance ?

The title of the book comes from when I first started writing these short stories many years ago, originally is was that  you could read the stories whenever you had five minutes peace and quiet. One reader (the stories used to be produced online) that with three young children the only time she got peace and quiet was if she locker herself away in the bathroom, so the stories became “bathroom stories”.

Tell us something about your hero and/or heroine that my readers won’t be able to resist.

Being numerous short stories there are many different types of characters, hero’s, ages and relationships. Over this book and the next two I have tried to cover every form of romance I can think of. There are always twists and turns and I try to fool the reader whenever I can, in fact I actually take great pleasure in being told… “You did it to me again, I thought it was such and such an ending…”

What is your favorite story in the book?

This is the first of a series of books with the stories written for not only book two but a Christmas Special. I have many stories I really like, I used to have my own local TV station where I used to come on like Mr Rogers, and narrate a story or two to the camera. Hardest part of that is looking up at the camra and then down at the story I was reading without losing my place. But you asked about my favorite stories. The first four in the book “The Radio Show”, Love of an Angel”, Emerald Eyes” and “Why?” are ones I like though there are many more that have their own special spots.

What do you love most about being an author?

I always bulk at being called an author, though with my YA book “Across the Pond” having over 120 reviews on Amazon I guess I can call myself that, though I prefer to be called a “story teller”. My English is not brilliant; I do not have authors names dropping from my tongue like so many authors, and as for my spelling… thank goodness for spell-check. I love chatting to authors though which can be seen from the popularity of my radio show “A Book and a Chat” which now numbers around 470 shows, and not just authors I am a huge fan of bloggers and try to get them on the show when possible.

A Short story from book two… “The Rose”

Night stirred its inky finger at the ending of the day, the office lights breaking through the windows into the dark night. Desks emptied as people sort to get an early start to the weekend.

She completed the last letter she had to send that day, filled in the final figures on the day’s spreadsheet, and was just about to close down her PC when a message popped up saying she had a new email. She was going to open the email to check what it was when she felt a hand on her shoulder. Turning round, she looked into the sparkling eyes that belonged to Andy, her boss, which as normal, set her heart racing.

“Still here?” he said with a smile. “Nothing to go home too?”

She smiled back.  “Nothing much.”

Not as if you were there she thought, then scolded herself in case she let her secret feeling for Andy show.

Andy smiled once more. “Well, see you on Monday” And with that, left her to her thoughts.

He was so good looking, she thought to herself, as she watched his rear disappearing out the door.

With a sigh, she shut of her computer, letting the email wait until Monday, and slowly made her way to the lift. She had nothing to go home to except an empty and lonely house. Her husband was a long gone, and good riddance. Her son was at college far away, and all that was there for her, was another lonely night.

She reached the exit of the building. There, waiting for her was Mike, the security guard. Mike always there with a smile that seemed just for her, understanding her moods and problems sometimes before she herself knew them. Mike, whom she could tell anything to, knowing it would go no further and that he would never judge her. As normal, he held open the door, his arm almost but not quite touching her as she went by.

“Night Mable, have a good one,” he said to her with a smile.

“Night Mike.” she answered back over her shoulder as she walked to where she had parked her car. “And thank you.” She blew him a kiss as normal.

She walked down the now empty parking spaces to where hers was parked, and opened to door to get in the car, when she noticed something on the front window. Moving round, she realized it was a rose, a single red rose placed under one of her wiper blades. Taking it carefully in her hands, she looked for a note or something to say whom the rose had been from, but there was nothing.

She drove home trying to work out in her mind that might have left her the flower. Could it have been Andy, guessing her feeling for him, and letting her know that he felt the same? Perhaps it was Mike, just showing her that he cared?

Her mind went through all the other possible people, but kept coming back to Andy and Mike. The weekend seemed to fly by, with her thoughts always turning to the rose that took pride of place on her table in the small glass vase. Was it Andy, or was it Mike? She had to wait until Monday to find out.

At last Monday came, she parked her car as normal and found Mike waiting for her with an open door. She flashed a special smile his way eager to thank him if indeed the rose had been from him.

“Thank you so much,” she said, lingering for a few moments before walking through the door, as if waiting for him to reply. But Mike did not say anything about flowers or her, so she hurriedly made her way to her desk.

Andy. Andy. It had to be Andy. After all this time at last he was showing her that he felt the same way as she did.

She waited for Andy to come in, her heart racing at the thought of him leaving a rose for her.

While she waited, she checked her mail, the first message being the one that she left on Friday, it was from her son.

“Hi Mum.” it read “I was just passing through on my way to a friend’s house, from where I am sending you this email. I did not really have time to stop, just thought I’d let you know how much I love you. I hope you enjoy the rose. Love, Don

With a sigh, the dream bubble burst. Oh well, she thought, at least her son loved her.

*****

Author’s twitter: storyheart52

Author’s facebook:
https://www.facebook.com/#!/storyheart 

Link to purchase page:
http://romance2read.com

Read Full Post »


Between the Sheets

I find kiss scenes more challenging to write than sex. BUT, even more than steamy scenes, I love build-up and playful banter. In addition to paranormal YA and historical romance, I write erotica under a nom de plume.

Real Life Romance

I met my husband, the love of my life, Sébastien, in France while I was a teaching assistant during the 1999-2000 school year (and returned home a married woman). Some people bring back a shot glass – I brought home a husband.

First Kiss

Not till age 21. No wonder I get anxious writing them.

Seven Times a Charm

I wrote six “practice” novels before I felt ready to go live with my first eBook, this month, Entangled. It is the full novel version of Spellbound and will be followed up with two sequels.

Sweet Tooth

Off the charts! I once gained 50 lbs in 3 months because I couldn’t stop baking (and eating) chocolate chip cookies. My favorite cookbook at the moment is “Health by Chocolate” by Victoria Laine. Now I can have my chocolate and eat it too!

About Nikki’s chocolate-covered contribution:

A Resurrection Spell Gone Wrong

Two months after dying, Graylee Perez wakes up in her identical twin sister, Charlene’s body. As the daughter of a witch, can anyone blame her mother for attempting to bring her back to life? Only now Gray’s stuck sharing her sister’s body 50/50 in 24 hour shifts.

The race is on for Gray to find a way back inside her body before Charlene purges her from existence. Warlock Raj McKenna is rumored to meddle in the black arts, not to mention he’s after Gray’s invisibility spell and worse – her heart. But Raj might be the only one powerful enough to save Gray from fading away forever.

About the author:

Nikki Jefford’s novella Spellbound appears in the YA paranormal romance anthology Death By Chocolate, released this week. She is a third generation Alaskan who found paradise in the not-so-tropical San Juans Islands in Washington.

She blogs at:
http://www.nikkijefford.blogspot.com/

Read Full Post »

Dear Readers,

I’d like to announce the release of my paranormal suspense novel, EMBRACED BY THE SHADOWS, now available on Kindle for $2.99.

Here’s a blurb:

In a bazaar in Istanbul one evening, ten-year-old Alana Piovanetti sees a man standing in the shadows. He smiles, and over time she convinces herself that it was just her imagination that placed sharp fangs amongst those flashing teeth.

Twelve years later, Alana is surprised when she is chosen to manage a new restaurant opening in her home city of San Juan. She has neither training nor experience to justify her success. But La Cueva del Vampiro has the kind of ambience she adores, for Alana has always had a penchant for horror and the dark side of life. Yet she is also plagued with dreams of dark sensuality, dreams that take on shattering reality when she meets the stunningly handsome, charismatic Sadash.

For Sadash is the man she saw in the shadows so many years before…and Sadash isn’t human….

You may read the prologue and first chapter here:
http://twilighttimesbooks.com/EmbracedbyShadows_ch1.html

The link to Kindle is:

The story features a Latina protagonist and a Turkish vampire. I hope you’ll give it a try!

To celebrate the release of my novel, I’m giving away two of my other books for free. This offer will run until Halloween night only. Of course, I hope you’ll consider supporting my work by purchasing a copy of Embraced by the Shadows, but if for whatever reason you decide not to, the two free ebooks are still yours to download. This is my Halloween gift to you!

The FREE ebooks I’m giving away are: Dark Lullaby and Cat Cellar and Other Stories and they’re available in various formats on Smashwords:

Dark Lullaby
https://www.smashwords.com/books/view/94529

The Cat Cellar and Other Stories
https://www.smashwords.com/books/view/95031

Enjoy! Happy reading and happy Halloween!

Mayra

Read Full Post »

Vincent Hobbes was born in Dallas, TX in 1975. He has been actively writing since he was fifteen years old. His roots lay in horror, but he has recently branched out into other genres. In 2007, he was published. The Contrived Senator was the first book in a fantasy series. In 2008, he released Exiles, the second book in the series. Short stories have always been a favorite of Vincent’s, and in 2010 he teamed up with 11 incredible authors, and created The Endlands. This horror anthology is an ode to the kooky and bizarre. The Endlands was released January 17th, 2011. Vincent is currently working on more novels, including a dystopian book. He lives north of the DFW metroplex with his wife, two dogs, two cats, chickens and ducks.

You can read more about him at: www.VincentHobbes.com

Horror is such a broad subject and there are so many subcategories. Please tell us a little about the kind of horror fiction you write.

Horror indeed has many subcategories. Personally, I can’t stand gore for the sake of gore, or shock value for lack of quality. Now, I don’t mind some blood and guts on occasion, but I feel it’s overused in both the book industry and movie industry. As for myself, I prefer psychological horror—to leave something up to the imagination. Alfred Hitchcock was a master at this, as was Rod Serling. I find if you let the reader’s imagination run wild, it will turn out much scarier.

How did the project come about and how long did it take to complete?

This project has been in my head for years. I approached my publisher a few years ago, and he agreed to it. So, I’d say The Endlands was years in the making, though it took about a year to put together. We searched for talent and found eleven other incredible authors to take part.

What are some of the themes explored in the book?

Fear of the unknown is a common theme in the Endlands. The classic good vs. evil is prevalent. Stories that boggle the imagination and cause the reader to question their own sanity. The Endlands has a little bit of everything in it.

Where is the book available?

The book is available on all major online book retailers, including ebook format. Hopefully it will be on the shelves soon, and many libraries are carrying it.

What is your writing schedule like? Do you have any special rituals or quirks?

I attempt to write every day. It’s important for me to stay in practice, though sometimes life doesn’t work out that way. I try to keep a minimum word count daily, and many nights I stay up late, inspired to peck away at my keyboard until exhausted. A good writing environment is important to me. I cherish silence when I write. My wife has learned to stay away when I’m really going at it. Loud music helps, too. Just depends on what I’m working on.

How do you keep your narrative exciting when you don’t feel like writing but you know you have to? Do you force it?

I always force myself to write, even if I don’t feel like it. That doesn’t mean the words are always good, but that doesn’t matter. If I end up throwing away or deleting what I’ve written, that’s fine…it’s like working out, sometimes you don’t want to, but we do it anyways.

What is your editing process like? Do you edit as you write or do you leave that for the second draft?

I always save editing for later. Usually it’s for a second if not third draft. Then, I have editors who help me after that.

You write short stories but you’ve also written novels. How is your creative process like when writing a short story as opposed to a novel?

With short stories, I write fast and furious. A quicker pace. Usually I can complete a draft in one sitting, or a few days at best. I get inspired and type away until I’m finished. For example, I wrote a short story for The Endlands anthology called, The Hour of the Time. I literally wrote it in an hour. It just came to me; the words flowed and the story came together.

With novels, it’s a different monster. It takes tons of patience and months or even years to finish. I find writing both gives me balance; a short story gives me an instant fix while writing a novel tests my endurance.

Would you say the horror book market is rising, declining or at a plateau?

Hard to say. Horror movies have probably taken away from the book market, and it seems the book industry doesn’t put as much effort into horror as it once did. My local mega-chain bookstore doesn’t even have a horror section. However, there are still wonderful horror writers out there, and many small presses have put out some great work. I think horror will always maintain its spot in the industry, though it’s being defined differently. Nowadays, horror can be labelled as mystery, drama, suspense or whatever, so I’d say horror will always have its spot.

Do you have a website and/or blog?

I do. My website is: www.VincentHobbes.com. I also post blogs on it. I review books and movies, horror mostly (go figure). It’s something I enjoy doing and my fans seem to enjoy it, as well.

What’s inside the mind of the horror writer?

Do you really want to know?

I can’t speak for other horror writers, but for me, it’s to explain the unexplained. Sometimes it’s to face my own fears. I’m inquisitive by nature, always asking ‘what if’ questions. Human nature—our flaws, our quirks—intrigue me. I find myself studying people.

Leave us with some words of wisdom for aspiring writers.

A good writer must read. If you want to write, then WRITE! Don’t think about it, don’t talk about it, just write. Put your heart on paper and see what happens. It’s a journey in itself.

Thank you, Vincent!

Read Full Post »

Unforgettable

It took me a while to arrive at what topic to write about. Marta had left the field pretty wide open, “amything about writing, marketing, publishing, or creativity would be great” she told me. One of the really great things about being around bloggers who review books, or those who write, blog, and review, is the spectrum of perspective you can get from seeing different approaches. But you get to read that all the time.

So I struggled a bit with what to present. Then it slapped me upside the head as I was listening to my iPod . . .

Unforgettable — That’s what you are . . .

It can be intensely challenging to gently draw your reader into caring for a character or seeing, immersing themselves into a scene you try to set through description. Consider the very manner in which the human brain works when reading text—it sees letters as individual pictures, and in many cases not even all the letters in a given word are visually seen, our brains learn what a given word likely is just by the arrangement of characters. Seeing words and letters as pictures isn’t necessarily a bad thing, but there is a huge drawback: as a reader there are an overwhelming number of them. The brain has a hard time retaining text; actual pictures or images are an entirely different matter. The brain can recall detail in a photo for a stunning length of time after the image is first seen. Not so with text.

So what’s my point?

You must not simply present your story or characters. You must evoke some internal reaction from the reader, provide something they can bite into.

Unforgettable — Though near or far . . .

I have been told (more than once) that I can be verbose. Could I tighten things up—make them punchier for the sake of brevity? Undoubtedly. And in some instances I truly need to focus on that; but for others it would mean sacrificing the very thing that brings subtle accent to my style: my voice. Somewhere, in that murky, foggy acreage between the two is where I strive to be.

Like a song of love that clings to me
How the thought of you does things to me. . .

Clinging. In that one word you get a feel for some form of desperation, be it warm or chilling. Associate it with the proper modifier—like ‘love’—and you elicit a powerful emotion from the reader. Who doesn’t want to experience, or even recall fondly, clinging, welcome love? By choosing the best words you can achieve the best effect.

For instance, if a character is beaten, worn down by her circumstances, don’t simply say “she looked sad and exhausted.” Find a way to try and provoke your reader. Sit back and think about what another character might see if witnessing such melancholy: “His finger tucked under her chin, its tip warm with sympathy. As he raised it he could see the sad surrender in her eyes.”

I’ll grant you that it’s verbose. The more important question: Did it draw an image for you, or elicit the slightest twinge of emotion? Did it cling?

Never before has someone been more

Unforgettable — in every way
And forever more, that’s how you’ll stay. . .

If you can get out of your soul, and under your readers’ skin, your characters will stick with them . . . because the reader becomes, as we all have among the words and pages of stories that touch us, part of the story themselves.

Selling lots of books is a goal any hopeful author has, but for me the more genuine aspiration, the more profound and noble achievement, is to perhaps attain an effectual status with a reader of my words—to reach the silent warmth of unforgettable.

All My Best,
J.W. Nicklaus

J.W. Nicklaus is the author of The Light, the Dark, and Ember Between , a collection of short stories. Want to know more . . . of course you do! Visit his website avomnia.com to see what others have said about his published debut, or visit his blog.

Read Full Post »

Please welcome today’s guest, Christian Usera, poet and author of the anthology The Four Corners. Usera grew up Washington, D.C. and graduated from New York University with a degree in English and Creative Writing. He has lived in four states as well as abroad in Spain and Bulgaria. While living in Sofia, Bulgaria he wrote a poetry compilation, entitled, Bulgarian Nights about his travels. In addition, Usera also wrote an earlier book of poetry cataloguing the years 2002-2008 called, Then Came The Rain.

He has also written four illustrated novels contained in the anthology The Four Corners. He has been featured in “Voces del Caribe,” an online scholarly journal sponsored by City University of New York, The Gypsy Art Radio Blog, Northern Virginia Magazine and The Midwest Book Review. Usera was also the subject of Marassa 2007, a presentation sponsored by the Comparative Literature Department of New York University and Kamau Brathwaite, a world-renowned Caribbean poet. He currently resides in Denver, Colorado.

Welcome to the Dark Phantom! Why don’t you start by telling us a bit about The Four Corners and what inspired you to write it?

The Four Corners is an anthology of four graphic novels regarding the themes of light, love, truth and wisdom. They were originally intended for children and to a large extent can be appreciated by them. Each work was crafted using different media: "The Ones" was constructed using spray paints on canvas, "Gate to Eden" was an acrylic on paper project, "Power of Three" was also completed using acrylic (however it was applied on gesso board) and lastly "The Elders" was made using a combination of watercolors, pastel w/ water (which infused the color) and crayons on watercolor paper. The collection is meant to be highly interpretive, however I will say that there is a spiritual component to the work. It is not intended to be dogmatic nor point to one particular religion. Instead the work poses some philosophical questions such as:

“Does anyone marvel at the fact that the universe was at one point ‘Nothingness’? For that matter what is ‘Nothing’? If Nothingness is theoretically the potentiality of being, what would one create out of that? Isn’t it a wonder that consciousness (or rather self awareness) wasn’t here, then appeared on the planet sudden? What is the nature of perception and reality? Are rules better for society or are ideals? Is there more to existence than the avoidance of pain and the seeking of pleasure?”

The work is at its core a series of folktales designed to be a rorschach test for the soul. It is not meant to proselytize people or berate anyone, rather to interject some intellectual inquiry. Its target audience includes artists, speculative thinkers and children of all ages.

Are you a full-time writer or do you have another job?

I do a little of this and a little of that. Odd jobs.

How would you describe your creative process while writing this book? Was it stream-of-consciousness writing, or did you first write an outline?

It’s a funny story. I actually created the image “Mother Nothing” for the book, The Ones at which point my friend said that the work looked like an image from a Gerald Mcdermott novel. This was the launching point for the anthology: to create a new mythic story. I got hooked creating illustrated books and haven’t stopped since.

As far as structure I usually create a “skeleton” and then add/subtract from there. I usually have an “Ah ha!” moment where I either make a specific addition or subtraction that makes the work complete. So to answer the question, a little bit of both: I outline the book in my head, write down a general idea and then ‘tinker’ with my work.

Do you use index cards to plot your book?

I don’t use index cards, rather once I have a completed working draft, when the major scenes of the book are solid, I compile a list. I describe the scene and then try to mentally map out how I am going to go about illustrating the work. Sometimes I choose not to work from a ‘linear’ platform. (I.E. I end up painting a scene from the middle, then the beginning then the end for example. )

How long did it take you to write the book?

Believe it or not it took me a LONG time! From the end of 2006-2009! So about three years. I completed “The Ones” and “Gate to Eden” in 2007, “Power of Three” in 2008 and “The Elders” in 2009.

Have you ever suffered from writer’s block?

Of course! ? Doesn’t every writer! My biggest advice would be to STOP what you’re doing and go about life. The biggest mistake one could make would be to push beyond the limits of the frustration. It’s akin to an athlete trying to play through a broken bone or torn ligament. Take time away from the work then come back with ‘fresh eyes’ or better yet go over your ideas with a friend (or an enemy for that matter. ;) )

What seems to work for unleashing your creativity?

Life itself. I know it’s corny, but creativity is linked to one’s infinite imagination. There isn’t a shortage of ideas rather but perhaps an inner blockage which writers should try to detour around.

What type of book promotion seems to work the best for you? Share with us some writing tips!

Conducting interviews with very generous hosts is always great! ;) I recommend obtaining book reviews and contacting local magazines/papers. Also, if you have any professors from college willing to back your work, that’s incredibly helpful. (Especially if they’re famous writers.)

I’d like to add that I’ll be promoting this book at New York University in the late spring of this year sponsored by Kamau Brathwaite and the Comparative Literature Department of New York University. (April 2010 tentative date)

What authors or type of books do you read for fun?

Mostly books on alternative spirituality: Eckhart Tolle, Don Miguel Ruiz, Carlos Canstaneda, Neal Donald Walsch, Osho etc. I also love Palahniuk, Kafka, Kundera, Neil Gaiman, Paulo Coelho, Neruda, Borges and many many others. I am a bookworm. I don’t really read too much ‘fad fiction’ you won’t see the author of “Twilight” on my bookshelf anytime soon. (Not that there’s anything wrong with that… it’s just not my flavor.)

Do you think a critique group is essential for a writer?

I wouldn’t know I’ve never attended one. I do have a degree in creative writing so I’m familiar with the workshop setting. It can help, but I wouldn’t use the word essential. Critique is good- developing an insecurity about writing is not.

Do you have a website/blog where readers may learn more about you and your work?

Absolutely! www.myspace.com/theonesbook is the official website of “The Four Corners” as well as any future updates to my work.

You can follow me on Twitter as well @ CNUtheAuthor to get a week by week status check.

I’m also on Facebook, but that’s predominately a personal site.
You can however become a fan of CNUtheAuthor – which has just recently been posted.

Also one can purchase the book at this site:
Https://www.createspace.com/3394262

Do you have another novel on the works? Would you like to tell readers about your current or future projects?

Yes! I am currently working on project entitled, “Mascaro.” It is another illustrated work. It centers around this tribe, which becomes immersed in a game of building masks in order to pretend they are monsters. However after several generations they forget that this event is just a game and thus believe themselves to be these creatures. Can they discover the truth? Well we shall find out in about a few months. ?

I also have a side project that’s a spirituality paper, entitled “The Vertical Spirituality Manifesto” although I think I might just post that for free via social networking sites.

Is there anything else you’d like to tell my readers?

No sincere dream is laughable. Persevere and you will see how funny doubters truly are. I’d like to thank you for your time. Blessings.

Thanks for the interview!

Book Info:

The Four Corners is an anthology of illustrated folktales by Christian Usera. Each story is an inner journey into the heart of Light, Love, Truth and Wisdom. Although written in a childish voice, the style belies these complex surrealist proverbs.

Publication Date: Sep 01 2009
ISBN/EAN13: 0615313191 / 9780615313191
Page Count: 112
Binding Type: US Trade Paper
Trim Size: 8" x 10"
Language: English
Color: Full Color
Related Categories: Comics & Graphic Novels / Fantasy

Purchase the book HERE.

Read Full Post »

THE GREY LADY
Romantic Suspense/Mystery Short Story
by C.S. Challinor

Cornwall, England

In a blaze of chrome and burning rubber, the motorbike skidded to a screeching halt inches from Maggie’s feet where she had stepped into the street without looking. Ever since Adam’s departure, she had been in a trance.

“I’m so sorry,” she exclaimed. “I wasn’t looking where I was going.”

“No problem,” the young man replied, removing his helmet and smoothing back his sun-streaked blond hair.
Maggie thought vaguely how nice he was being about the whole thing, but she only had the presence of mind to mumble further apologies before walking on across the street without so much as a backward glance, preoccupied as she was with thoughts of Adam.

Adam had left for the summer, and the months yawned before her–days they could have enjoyed on the beach, evenings they could have spent at their favorite pub perched on the cliff top. She had given up all hope of their celebrating his twenty-eighth birthday together.

Instead, she idled away her free time, wandering restlessly along the rugged Cornish shore on England’s southwest coast, thinking about him. Adam was a puzzle. A dark horse since their first date. Gnawing into her doubts was his secretiveness. He had said he had family to visit in Devon, though she knew he couldn’t mean his parents, whom he’d lost in a car accident long ago. He had left his fishing trawler, The Grey Lady, in the hands of his partner, and told her he would write. Yet, knowing Adam, he probably wouldn’t. She had no idea how long he would be gone. Meanwhile, she watched couples holding hands, everybody enjoying their summer. Everyone but her.

She tried painting again, knowing she should put some practice in for when she went back to art college. There was no end of subject matter to be found at Pirate’s Cove, the small picturesque seaside resort where her parents lived. But her heart wasn’t in it.

Then one evening, as the sun was dipping into the sea, she spotted a lithe figure silhouetted against the sky. The way he walked, utterly lost in thought, drew her attention. He passed in the distance and disappeared into the dusk, but she caught him in her painting, just a shadow, an enigmatic shadow crossing the sunset.

Maggie was heartened by her picture. It was the first canvas of the summer that she hadn’t wanted to paint over, and it took her mind off what Adam was doing away in Devon.

The next evening, she returned to the same spot to try to recapture the magic of that moment. She didn’t have her easel with her this time. Lying back among the reeds and sand dunes, the soft evening air playing on her face, she simply listened to the swishing of waves over the shingles. The nearby crunching of sand startled her, and she sat up in alarm.

Standing over her in the dimming light was a young man dressed in jeans and a T-shirt, fair hair blowing in the sea breeze. A smile played on his lips.

“Imagine running into you again,” he said in a southern accent that made her think of rich clotted cream. Crouching down, he stretched out his hand. “I’m Brett. Did I scare you?”

“A bit.” Maggie gazed into his perfectly symmetrical face. “I think I saw you yesterday walking along the beach at about this time.” She was too embarrassed to bring up the motorcycle incident again.

“Yeah, I’ve seen you about, too. You work in that little tourist shop on the high street. Bric-a-Bracs or something. I keep meaning to go in there.”

“You should — if you like arty stuff and antiques. My parents own it.”

“I might just do that. Do you spend all year round here then?” he asked.

“No, only holidays. I’m at college in London. How about you?”

“Just touring through on my bike.”

“Do you travel a lot?”

“I do. I probably know the UK less well than Asia or North America. This is a new departure for me, being someplace close to home.”

“So, what do you do exactly?”

“I’m a photo-journalist. And you’re studying what?”

“Art,” she told him.

“We’ve got something in common, then. We both like to make pictures.” He settled himself more comfortably on the sand. “May I?” he asked.

Maggie shrugged. “I don’t own the beach,” she replied in a smart-aleck tone she immediately regretted.
He looked at her curiously. “You seem a bit down.”

Maggie didn’t know how to respond. He was perceptive. Adam wasn’t. Adam was egocentric and remote, but she supposed that was part of the attraction. This stranger shared a similar quality of mystery and had the same suggestion of strength, but he seemed attentive and interested in what she had to say. Before she could stop herself, Maggie started to open up, telling him she was involved with someone, but that suddenly he’d had to leave and now she didn’t know what to do with herself. And he wasn’t one to phone, she added bitterly.

Brett told her that he was getting over the loss of someone as well, although it had been awhile back. “Love sucks,” he said.

Swallowing hard, Maggie glanced away, but managed to hold her tears at bay.

“You have the most delicate profile,” Brett complimented her. “Mind if I photograph you sometime?”

Maggie shook back her dark hair in a mock model pose. “How many women have you said that to this summer?”

“No, really. You have a wistful face. Sort of haunting.”

She looked down, running her fingers through the sand as a blush warmed her cheeks. Adam rarely paid her compliments. She sighed heavily.

“That bad?” Brett asked.

“Oh, he’s probably bad news anyway. I’m just so confused. I feel like this whole summer is wasted and I want to feel like I’ve done something with my break from college.”

“Well, let’s do something then. What do you like to do other than paint?”

“Sailing, windsurfing, music. There’s an old inn over at Devil’s Creek called the Black Brew. They have bands at the weekend.” She and Adam used to go there, though she didn’t tell Brett that.

“Yeah, I think I know where you mean. Seriously, you’d be doing me a favor if you could show me around the area.”

Maggie agreed, and he asked if she was free the next day. She told him she didn’t have to work at the shop the next day. She did, but knew she could swing it with her parents, who lived above the store.

“I’ll pick you up at, say, ten o’ clock?”

Maggie nodded.

“Who should I ask for? You didn’t tell me your name, but I’m sure it must be something beautiful.”

She didn’t know why exactly, but she didn’t want to tell him her name was Maggie, a name she had never really liked. Her parents had felt obligated to name her after a childless aunt. Instead, she told him her middle name, chosen in one of her mother’s more whimsical moods. It was the professional name she had decided to use one day. She had never told it to Adam, afraid, she supposed, that he would laugh or make some sarcastic comment.

“It’s Serena.” She knew Brett would like it even before he drew out a low whistle.

“It suits you. Night, then,” he said, getting up from the sand and smiling down at her.

She watched as he sauntered away over the dunes. He left her with a glimmer of hope, and for the first time since Adam left, she began to look forward to tomorrow.

The next day, Maggie waited at her bedroom window in a navy T-shirt and a pair of crisp white shorts that showed off her suntanned legs. Puffy white clouds scudded across an azure sky above the surf-capped waves. She greeted the view with renewed enthusiasm, wondering how she could have forgotten how breathtaking it was. Suddenly, the throaty growl of an engine heralded the arrival of Brett’s Harley. Maggie ran down the stairs and waved her parents goodbye as she rushed out of the store.

“Well, hello again,” he said, looking her up and down with an appreciative gleam in his eyes that were as tender blue as the sky.His smile was captivating, Companionably, they crossed the street to the sea wall and continued on down the beach. All morning, she noticed how girls stared at him, and then at her with unveiled envy.

Her heart thrilled to be walking at his side. Maggie had felt special like this with Adam too. Whatever he lacked in Brett’s more conventional good looks, he made up for with his own special brand of moody charisma. Adam strode the beach or street as if he owned it. Everyone in town knew Adam, and no one messed with him. Brett didn’t give the impression that he thought himself better than everyone else, but he got the same attention as Adam anyway.

Maggie pointed to the Black Brew perched up on the cliff, from where the old inn overlooked the waves swirling and crashing against the jagged rocks three hundred feet below.

“Why is it called the Black Brew?” Brett asked, shading his eyes from the sun.

“It used to be a smuggler’s hangout,” Maggie explained. “Black Brew is a Jamaican rum that dates back to the 1800s. It’s also called ‘Devil’s Brew.’”

“Sounds lethal.”

Maggie laughed. “It is. There’s a legend surrounding the inn, if you’re interested.”

“Go on.” Brett sat down on a flat rock, smiling in anticipation.

“Well, in the tavern’s heyday, when Pirate’s Cove was doing a thriving trade in contraband, a sword fight took place on the cliff over a beautiful woman. One of the duelers plummeted to his death. Since then, people have seen the woman’s ghost on the cliff at dawn and heard the sound of her weeping.”

Brett skeptically raised an eyebrow. “People who have drunk too much Black Brew, no doubt. It’s probably a trick of the light and seagulls they’re hearing.”

Maggie chose to ignore him. From the first time she heard the story as a little girl, she had been fascinated by the Lady of the Cliff. Pirate’s Cove did good business out of the legend, but Maggie’s interest went deeper than just ghoulish interest. She had often imagined the two men fighting on the cliff edge, swords glinting and sparring at dawn; the fatal blow that sent one of them tumbling to his death; the woman’s helpless screams. Imagine witnessing that and knowing you were the cause…

“The Lady of the Cliff or the Grey Lady, as she’s also known, loved the man who was killed,” she told Brett. “And she comes back to grieve for him.”

“Uh-huh. And what became of the man who won?”

“He was lost at sea the next day.”

“And the Grey Lady, what of her?”

“Legend has it she was with child–as they said back then–and had to leave the Cove because she was unwed. But to this day she returns in death. A sad story, don’t you think?”

“If it’s true.”

Maggie shook her head ruefully. “Men! Absolutely no imagination. But if you want proof, there’s a headstone in the graveyard.”

“A tourist gimmick.” Brett ducked a playful blow from Maggie. “Look, I’m a journalist. I deal with facts. I’d need more evidence before I could believe in a supernatural tale like that. I’ll give you this, though. Ye olde Black Brew does look romantic in a gothic sort of way. Do they have rooms there?”

“They do, but I don’t expect it’s cheap in the summer season.”

Brett shrugged. “Yeah, well, I need more privacy than the local YMCA has to offer, and somewhere quiet to work.”

Maggie suggested they go and take a look. She had never seen the rooms, but always wanted to. They strolled, chatting and laughing, back to the store, Maggie praying that her parents wouldn’t see her hop on the back of the 900cc Harley.

The ride up the coast road was exhilarating. Brett didn’t have a spare helmet, and her hair blew about everywhere. She was laughing as she got off the bike. Brett dismounted and propped it on its kickstand.
“You look like a gypsy with your hair all wild like that,” he said, raking his fingers through her dark tangles. He drew her against his leather jacket and pressed his warm lips to hers. They had only been together a few hours, but already Maggie knew there was a bond between them. His eager mouth tasted as salty and beckoning as the sea. She responded cautiously at first, then with growing hunger. She wanted him, but it was too soon. Pulling away, she touched her mouth where his kiss had been.

“Sorry,” he said. “The sea air must be making me lightheaded. I got carried away.”

“So did I,” she apologized with a smile, amazed to have forgotten about Adam in that moment of passion, when only a few days before she thought she never could.

“Well, let’s go and see about a room–just for me,” he added quickly.

They entered a cramped hallway where a warm smell of toast lingered in the air and found the front office. A woman in her fifties, dyed yellow hair pinned up in an old-fashioned beehive, emerged when Brett knocked at the door.

“Is it a room you’ll be wanting for the pair of you?” she asked in a welcoming voice.

“Just for him,” Maggie said.

“Overlooking the creek, if at all possible, ma’am.” Brett smiled appealingly at the landlady. It worked–she looked completely won over.

“Follow me,” she invited, leading them up the narrow stairway that barely accommodated the generous dimensions of her hips.

Brett and Maggie exchanged amused glances.

“Lucky number thirteen,” she announced, stopping at the end of a short corridor and opening a creaking door. “This is a nice little room, this one here.”

Maggie jumped up in childish enthusiasm. “It’s adorable!” As she glanced around the bedroom with faded roses on the wallpaper and an old-fashioned grate in the corner, she tried not to let her eyes stray to the brass double bed.

Brett grinned at her. “Great view,” he commented, pulling back the chintz curtain from the salt-incrusted panes. Next, he took a peek in the bathroom. “A bit pokey, but it’ll do.” He glanced at the tariff pinned to the door. “I’ll take it. Is breakfast included?”

“Bacon, sausage, two eggs, toast, homemade marmalade, and all the tea you can drink,” the landlady boasted. “A strapping lad like you will be needing a proper breakfast.”

Maggie stifled a giggle at Brett’s abashed expression and followed him and the innkeeper out of the room. Downstairs in the polished-wood lounge, decked out in oil lamps and nautical artifacts, Brett and Maggie idled over lunch in one of the booths.

“Would you like another cider?” Brett asked her, holding up his beer mug for the waitress to see.

“Better not. I’ll fall asleep.”

“Don’t worry about that. I can carry you up to bed if necessary,” he joked. “It’s not far.”

Maggie laughed and changed the subject. “So tell me about the girl you’re getting over. After my going on about my ex-boyfriend, it’s got to be your turn.”

“‘Ex’ is it now?” he joked.

Maggie didn’t know why she had talked about Adam that way, but she suspected it had a lot to do with Brett, who had so quickly and unexpectedly stolen away her attention.

Brett’s tone and expression became serious. “Losing Lisa was bad enough,” he confided. “But it was the way I lost her that really gets me.” He stopped short and clenched his teeth, his delicate features hardening to stone, too angry to speak.

Maggie sensed he wasn’t comfortable talking about Lisa and she didn’t want to wreck their newfound friendship by prying, so she decided to leave it at that, thinking in his own good time he would tell her more about that episode in his life.

The next day, they explored the rocky part of the shore. Maggie showed him a secret cave that could only be accessed at low tide. It was three feet above the shoreline and hidden from view by land, visible only by sea as a dark shadow among the rocks. Boats seldom ventured there. The sharp rocks lurking like icebergs beneath the surface of the water had wrecked many a ship in years gone by, and now a lighthouse warned boaters away.

Inside, the cave was spread with a cushioning layer of sand and was just about high enough to stand up, and wide and deep enough to lie outstretched.

“How did you find out about this place?” Brett asked.

“It’s an old lovers’ haunt.”

“Oh, a tryst for you and your man, was it?”

“I don’t think he knows about this place. And I haven’t been here in years.”

She and Adam had no need to come to the cave. He had a comfortably converted old tin miner’s cottage back inland.

Brett stared vacantly out to sea, as though he were searching for something in his mind’s eye. Waves pounded onto the rocks below, and a misty spray reached the opening of the cave.

Maggie kneeled down beside him. “What brought you to Pirate’s Cove?”

“I came to find someone.”

“To find her?” Maggie asked softly, a sudden constriction in her throat.

“Oh, no, I would never take her back now.”

In her relief, Maggie didn’t think to ask any more. It was then she realized, through her jealousy, the strength of her growing feelings for Brett. So when he asked her to meet him at the cave at midnight, she agreed without hesitation.

When she returned home, she told her parents she would be out late that night. She was too excited to eat supper and went straight up to her room to change into warmer clothes. A photo of Adam, taken on the deck of his trawler, stood on her dressing table. With barely a thought, she locked it away in a drawer.

####

Carefully climbing over the rocks that were slippery with seaweed and glistened in the dark, Maggie reached the cave, relieved to find Brett already there, sitting on a sleeping bag. A slender rope ran over the ledge and into a rock pool.

“Fishing for crabs?” she asked.

“Chilled champagne, actually. I was waiting for you before I hauled it in.”

“I’m impressed,” Maggie said as he drew up the bottle and she saw the French label.

“Only the best for the best. Come, sit.” He patted the sleeping bag and popped open the cork. “No glasses, I’m afraid. The landlady wouldn’t let me take any out with me. Would you like the first slug?”

“Thanks. This is wonderful.” Maggie sighed in bliss, hugging her knees and gazing over the dark expanse of sea.

“You’re wonderful,” Brett said suddenly. “Your face is wonderful. This body is wonderful.”

He ran his hand up and down her back until Maggie felt delicious tingles down her spine. She arched to his caress, and suddenly his lips were on her face and throat. They undressed each other, kissing all the while, their bare skin bathed in the sea breezes. He kissed her, and she pressed him to her, fusing into his arms until there on the hard sand she could feel nothing but his warmth and passion driving into her. As the last ebbs receded from their bodies, he sprawled on top of her, breathing hard.

“Ah, Serena, you make me forget the reason I came here,” he said, propping himself up on his elbows.

“You said you came to find someone?”

“Yes.” He gazed down at her, and she saw an intense look in his eyes. “I came for revenge.”

Lying on the sleeping bag, Maggie wondered about the grim word, so potent with meaning. She wanted to know more about Lisa, but Brett’s look changed. Gently he smoothed back the hair from her forehead, and soon they were making love again, lost in each other, living for the moment, on the windswept coast of Cornwall.

Over the next few days, Brett took pictures: of Maggie, the cliffs, the fishing boats as they returned with the day’s catch. They spent more and more time together. Her parents let her off shop duty when she said she was in the mood to paint, which seemed like every minute of every day now, so involved was she with Brett, but they didn’t question her refound enthusiasm. They had always been supportive that way, maybe even a little too indulgent of their only child. And no doubt they were glad to see that she was getting over Adam’s absence. Although they had never said anything, Maggie knew they disapproved of him.

As this new love grew, Maggie became more cautious. Pirate’s Cove was a small town, and she didn’t want talk of her and Brett getting back to Adam, so they hid their love away, even from her parents. Maggie and Brett stopped going around town together and instead sought out remote corners of the shore where they could be alone, happy just to beach comb, arms wrapped around the other. Nights were spent in the cave on the cliff, their cries of ecstasy carried away by the sighs of the breeze.

Then one morning at the Black Brew, after secretly spending the night in each other’s arms, Brett finally confided the reason for his fury and confusion. With the first rays of sun peeping through the window, he told Maggie that someone had stolen his girlfriend.

It was his brother Adam.

When he told her that, he might as well have slapped her across her face. Suddenly, the pieces of the puzzle fell into place: the physical qualities Brett and Adam shared, the fact they both came from Devon, their reticence on the subject of family. She wondered why she had never made the connection before. It had to be the same Adam.

Though numb from shock, Maggie managed not to react outwardly to the revelation, insisting she had to go open the store and would see him later.

All morning long, she pondered whether to tell Brett about her and Adam–but that they were no longer together. Would Brett believe her? Then she reasoned that since Adam was out of town–for now, anyway–Brett couldn’t find out about her relationship with his older brother, unless she told him. He knew no one else at Pirate’s Cove.

The person he had come to find could only be Adam.

The word “revenge” came back to torment her, resounding over and over in her head. In a moment that made her double over in pain, it occurred to her: Brett had known about her and Adam all along and had stolen her from Adam intentionally, the way Adam had seduced Lisa away from Brett. He had come to the Cove to get even. Maggie’s face burned with shame, but that was nothing compared to the anger that blazed in her heart.

She did not know how she managed to get through the rest of the day. The touch of Brett was still on her from that morning, on her hair, her lips, her skin. She loved him, but he had betrayed her. Even the sale of her “Pink Seagulls at Dawn” canvas with a price tag of two hundred pounds did nothing to lighten her mood.
Maggie forced herself to wait until late afternoon before doing anything. At five o’clock, she rushed out to her car and sped up the narrow road to the Black Brew, desperate to confront Brett and hear him admit how he had used her.

“Bastard! Rotten, lying bastard!” she cried out as tears streamed down her face.

A horn blared, and Maggie realized she had veered onto the wrong side of the road. She swerved back just in time to avoid a head-on collision with a van. Shaken, she continued on to the inn. After parking next to Brett’s bike, she went to see if he was at the bar before going up to his room.

The pub was packed with locals, mostly fishermen celebrating Friday night with pints of beer and fistfuls of darts. She caught sight of Brett in one of the booths talking to someone she could not yet see. He was so deep in conversation that he did not notice her until she was right in front of him.

“Sweetheart,” he said, leaping to his feet. “I was just talking about you.” He proudly started to make the introductions.

But Maggie and Adam had already seen each other. In slow motion, Adam’s face metamorphosed into surprise, then disbelief. She looked back at Brett to see confusion register on his features and realized that he did not know about her and Adam. His face grew pale, he looked sick to the soul.

“You two-timing slut,” Adam cursed, ice-blue eyes piercing into hers. “Though I can’t accuse you of spreading it around since you managed to keep it in the family.”

Maggie pounced on him, but Brett pulled her away

“Careful, Serena, he’s dangerous when he gets like this.”

“Serena? What is this crap?” Sneering, Adam grabbed her wrist so hard that she gasped. His expression was dark, and he looked like he would kill her in a heartbeat. “You bloody slag…”

Brett punched him in the face. The barman intervened, telling the two men to take it outside–among groans of protest from the bar crowd. Adam pushed Maggie aside and stormed out the door. Brett stared after his brother and made a move to follow, but Maggie held him back. “I had no idea until this morning.”

“I can’t believe this,” he faltered. “Here I was telling him about the new girl in my life and how perhaps we could try to put Lisa behind us. He’s being all reasonable for once and bragging about this Maggie woman, who turns out to be you, for Christ’s sake!”

Rubbing the red marks on her wrist, she took a deep breath. “Maggie’s the name people here in town know me by. Serena is my middle name.” She glanced fearfully into his eyes. “What’s going to happen between us?”
“What d’you mean?”

“Well…,” she stumbled, “You and Adam, you know…”

“Won’t be the first time we’ve shared the same woman,” Brett said bitterly. “It doesn’t change the way I feel about you, if that’s what you mean. You didn’t know we were brothers.” He looked at her straight in the eye. “You wouldn’t think of going back to him now, would you?”

“How could you think such a thing?” She made a move toward him.

“He can be very persuasive.” Brett took Maggie in his arms, burying his face in her hair. “I have to go after him,” he said. “He might think I did this on purpose to get back at him.”

“Can’t you just let bygones be bygones?” she begged.

Brett stood back so he could look at her. “You don’t understand, Serena. I practically worshipped the ground my brother walked on. He was four years older than me. I looked up to him. But he was a bully. He could have had any girl he wanted, but he took Lisa. Then he flung her away like a used tissue when he’d finished with her. Where’s the brotherly feeling in that?” Anger smoldered in his eyes. “So if you think he’s just going to let you go and leave us in peace, you’re very much mistaken.”

Maggie remained speechless. She felt she was involved in something deeper than she could handle, a continuing saga of sibling rivalry in which she had become the trophy. She didn’t know what to think anymore, but one thing was obvious. All her instincts told her she had to run from Adam and she had no choice but to turn to Brett. They had come too far and she’d felt too much. She just didn’t see how this was going to end.

“How did you meet up?” she asked finally.

“He came to find me at our parents’ old house, where I still live when I’m not on assignment. I had written to him that I’d be back from the States in July and would be over to see him at Pirate’s Cove. I guess he didn’t want you finding out about his sordid past, so he went to Devon to track me down. He waited for me back home, but I’d already left to come here.” Brett planted a kiss on her forehead. “Listen, I hate to leave you like this, but I have to go and sort it out.”

As he turned to leave, he cautioned over his shoulder, “Stay away from him and keep your doors locked.”
Maggie ran after him through the pub. “Be careful yourself,” she said as he sat astride his bike putting on his helmet.

Brett handed her a black case. “I brought this back from New York. It’s a semi-automatic. Put it somewhere safe.”

Maggie stared at it. “How did you get a gun on the plane?”

“I didn’t. I mailed it to myself in pieces. “I have to go into remote areas at times,” he explained. “But I don’t want Adam finding it on me.”

She held the case in her trembling fingers, afraid the gun would suddenly go off in her face.
They kissed one last time, and she watched Brett roar off on his Harley with the dust rising behind him. She watched until the taillight faded into the dusk, thinking all the while that Adam and Brett were not as different as night and day after all.

Then she got in her car and drove back to the store. Her parents were just getting ready to leave. Her mother wore a long Bohemian skirt and silver hoop earrings, her long blond hair flowing down her back. Maggie smiled. She barely looked old enough to be her mother. She and her father were like newlyweds again since they had entered semi-retirement and opened the tourist shop. Soul mates; and Maggie often wished she might be as happy with someone one day. She was so close now, and yet her fragile dream could still be smashed if Adam chose to be vindictive.

“Your dad and I are going to the theater,” her mother said in her girlish voice as Maggie plunked her bag down on the counter. “Do you mind closing up shop for us, sweetie?”

“Okay, Mum.” Maggie tried to sound cheerful as she ushered them out of the store before they noticed anything was wrong. “Have a good time. Bye.”

She drew the window blinds in preparation for closing and started to tidy the shelves crammed with an assortment of shell-based candleholders, curios, and Maggie’s watercolors of local seascapes. Ten minutes later, the bell rang and she swung around to see Adam strut menacingly through the door. He flipped the sign to “closed” and drew the bolt behind him.

“What are you doing here?” Maggie demanded.

“I’ve come for you, of course.”

“I thought you weren’t interested. At least, that’s the way it appeared at the beginning of the summer.”

“I had some business to sort out.”

“You and I are through, Adam. I’m with your brother now.”

“Really, Serena?” he said in a sarcastic tone. “Well, as far as I’m concerned, nothing’s changed and you’re still mine.”

Maggie stared at him with disdain. “I’m not a possession that you can just enjoy when it suits you. I’m a person with feelings, and I got sick of waiting for you. Then when Brett told me what you did to-” She broke off as Adam lunged at her, and she kneed him where it hurt. Violently he gripped her shoulders and shook her.

“You don’t know, Maggie. You don’t know what it was like growing up without parents, having to raise a younger brother at fifteen years old. I left school and went to work so I could put food on the table and send him to school in decent shoes. But Brett got to go to college. He had it good, don’t you see? All down the line, starting with our mother. She always loved him better than me. He has those angel looks, perhaps you’ve noticed. Everybody loved Brett better than me. So I took Lisa and I got her to love me too.”

At first, Maggie almost felt sorry for him. However, as she realized what he was saying, his crazy reasoning began to frighten her. She stood up to him, for her and for Brett.

“How could you do that to you own brother?” She looked at him as she would some slimy creature that had just crawled out from under a rock.

Erupting into a rage, Adam grabbed her arm. As she tried to pull herself free, he pushed her toward the counter, bending her backward until she was lying across it.

I can’t let this happen, she thought, groping around until she found what she was looking for. She undid the catch on the box and eased it open, then slowly reached inside as Adam pushed up her skirt. Her hand closed around the gun barrel. She felt Adam plunge into her and yelled out. She pointed the gun at his shoulder and, in her panic, pulled back the trigger.

A hollow shot rang out between them. Simultaneously, a sharp rap sounded at the window. Adam’s face whitened with shock.

“You crazy bitch,” he snarled, pulling away from her and storming out the door.

The gun shook in her hand. It was moments before she had the presence of mind to set it down on the counter and call her parents. She persuaded them not to call the police, hoping to spare them the gossip that was so rife in a small town like Pirate’s Cove. She did not tell them about the nature of the assault, to spare them unnecessary pain, and assured them that Adam would not be coming back. At least, she hoped that was the case. Yet in spite of her efforts to hush up the incident, a policeman came to see her the next day. Maggie thought at first that Adam had lodged a complaint against her for possessing a gun and firing it.
“The gun only had blanks,” she explained to the cop.

Maggie had asked her father to check the barrel after Adam left. She did not know what happened exactly, but was relieved to discover that no serious wound could have been inflicted, even though she had acted in self-defense.

“That’s not why I’m here,” the officer said. He proceeded to tell her that Adam had been found at Devil’s Creek, his body mangled at the foot of the cliff.

A sob caught in her throat. “He’s dead?”

The officer nodded. “Yes, miss. Was he your boyfriend?”

“It was over between us. He was angry about it. He came to the shop last night and we had a fight.” Maggie glanced anxiously at her parents, hoping they would not have to learn the whole truth. “Then he left, and that was the last I saw of him.”

“We believe he might have committed suicide. He had been drinking.”

Maggie knew that couldn’t be the case. Not Adam. He was not one to hurl himself off a cliff for the sake of a woman, and though he drank, she had never seen him drunk to the extent he would do anything stupid.
The policeman did not ask about Brett. It seemed no one had seen him the night of Adam’s fall. There was nowhere Brett could have hidden. Nowhere except the cave. And the cave was their secret.

####

When the funeral was over, Maggie felt a huge sense of relief. Most of the fishing community had turned out to show their respects to Adam. Now she and Brett were the only mourners left at the church.

“Adam would want his ashes cast out at sea,” Brett said. “But his crew mates will have to go without me. I don’t have sea legs.”

“Tell me what happened that night, Brett.” Maggie felt she could not deal with any more secrets.

Brett searched her face and shook his head. “Let’s just leave the past behind us, Serena.”

“I need to know,” she pleaded.

Brett sighed with resignation. “It was an accident. He fell. That was the police verdict.”

Maggie decided to leave it at that. Whether Brett was around at the time of Adam’s death, she might never know. Perhaps the sound she had heard during her attack at the store was Brett at the window. She could not be sure. Was it ever possible to know everything about someone, however well you knew them? She had never felt she really knew Adam. However, she could not doubt the strength of Brett’s love for her, and she had to have faith that it would be enough to overcome her doubts.

“No more secrets, okay?” she implored him.

“None,” he said with a faint smile. “But, while we’re on the subject, are you Maggie or Serena?”

“The name Maggie died with Adam.” Taking his arm, she led him out of the gloomy chill of the church into a small, neatly tended graveyard.

“Look,” she said, pointing to a simple headstone, which read, “Here lie two brothers, united in death.” Maggie fingered the worn, engraved lettering. “The Lady of the Cliff insisted they be buried together.”

“Do you believe they were really brothers?” Brett asked.

Maggie looked up at him, amused. “So you believe the legend now?”

“I saw her, you know.”

For one dreadful moment, Maggie thought he meant Lisa, the girl Adam had stolen away. “You mean…”

“The lady on the cliff. It was just before daybreak. There was an indistinct figure cradling a bundle in her arms.”

Maggie stared at him, her hand at her throat, unsure whether he was making this up.

“I swear it, Serena. I saw her.”

####

They sold Adam’s cottage and rented a house overlooking the sea, far away from Devil’s Creek and its mixed memories. Adam’s trawler, The Grey Lady, never made it back home. A freak storm overpowered the boat and three fishermen were lost at sea along with Adams’ ashes, only the pummeled remains of the hull washing up days later on a distant shore.

For the rest of the summer, Brett worked on his travelogue while Maggie painted. Her pictures acquired a new depth. Not only did they depict what met her eye, but now suggested a hidden meaning. Maggie had discovered that in life there was no such thing as black and white, but varying shades of gray. And just as day becomes night, night moves toward day.

She and Brett fell into a happy routine, but as the weeks passed, another storm cloud gathered. Maggie could no longer make excuses to herself that all the anxiety she had gone through with Adam was the cause. As they lay together one night, she turned hesitantly to Brett. His arms wrapped tight around her gave her the courage to speak.

“Brett,” she whispered.

“Mm?”

“I think I’m…pregnant.” Maggie clenched her teeth in the dark, waiting.

“You are?” He pulled back slightly, and she could just make out the contours of his face and the shine in his eyes.

She burst into tears, she did not know whether from joy, disappointment, or simply the relief of telling him.

“Why are you crying, sweetheart?” He held her closer. “We were bound to have a baby some time. Your parents will be thrilled. They were just hinting about a grandchild the other day.”

“It’s not my parents I’m worried about, or college,” Maggie began. Now she had come to the hard part. “Oh, Brett,” she sobbed. “I don’t know if the baby is yours or Adam’s.”

She felt the impact of her words penetrate Brett like a bullet; his body turned rigid.

“This never ends,” he said at last in a controlled voice. “Adam wins–again.”

“We don’t know that. The child could just as well be yours. We could do a blood test,” she blurted, “Then…”
Brett put a finger to her lips. “A DNA test might not prove anything. Listen, Serena, let’s make a pact, here and now, that we will never try to find out one way or the other. If the baby is Adam’s, so be it. We’ll love the child the way Adam never felt loved. Maybe, that way, we can give Adam something back, now that we have so much.”

Maggie hugged Brett to her. She could not speak. In that moment, she knew her feelings for him grew even stronger than ever before. She knew he was right, and her heart burst with love for the baby she was carrying.

But if she bore a son, well… Maggie decided the boy would be an only child, so history could never repeat itself.

©2009. C.S. Challinor / All Rights Reserved. This story may not be copied nor printed in any form without permission from the author.

This story was slightly edited for content for The Dark Phantom Review.
“The Grey Lady” was previously published by Loving Magazine, UK, as “Night & Day.”

About the author:

cchallinor-210-exp-5785C.S. Challinor was born in Bloomington, Indiana, and was educated in England and Scotland. She now resides in Southwest Florida. Her short stories have been published in women’s magazines in the United States and the United Kingdom. Challinor is a member of the Authors Guild and Sisters in Crime. Vist her website at
http://www.rexgraves.com.

Read Full Post »

2b

Cuban author Teresa Dovalpage has published three novels, one in English, A Girl Like Che Guevara (Soho Press 2004) and two in Spanish, Posesas de la Habana (Haunted Ladies of Havana, PurePlay Press, 2004) and Muerte de un murciano en La Habana (Death of a Murcian in Havana, Anagrama, 2006), which was runner-up for the Herralde Award in Spain. Her collection of short stories, Por culpa de Candela, was recently released by Floricanto Press in 2008. Her short novel, El difunto Fidel (The Late Fidel) just won the Rincon de la Victoria Award in Spain. Dovalpage currently lives in Taos, NM. Visit her at www.dovalpage.com.

Thanks for this interview Teresa. It’s a pleasure having you here. Tell us a little about your childhood? Were you an avid reader?

I grew up in Havana, in a house full of books. And I was definitely a bookworm, or, as my mother liked to call me, una ratona de biblioteca —a library mouse. I could always be found with a book in my hand or scribbling something. I was too shy to play with other kids and that made me long for the company of those quiet, faithful paper friends that don’t talk back or tease.

When did you start writing?
When I was a teenager I wrote my first short story. Quoting my mom again, it was horrendous. It had something to do with a deadly plague, and not too cheerful… But I didn’t get discouraged. I bought an ancient Underwood typewriter (it was during the 80’s, in Cuba, and computers were then considered as science fiction devices) and continued to write away.

What was your inspiration for A Girl like Che Guevara?
My American friends, who kept asking me how life in Cuba was. I started writing a series of vignettes about Santeria, life in the school-in-the-fields (a program in which high-school students used to spend a couple of months working on the tobacco fields) and other Cubanese stuff. And it turned out to be a full-length novel after all!

On average, how long does it take you to write a novel?
The first decent draft (not the “vomit draft”, eh, but a well-polished one) may take several months, from six to eight. It seldom takes longer because I start getting bored with the plot and the characters. But I have learned to put it on the back burner for a while and return to it before sending the ms. out. I always find a lot of things to change in that phase so I start rewriting it… Then, all together, maybe a whole year.

What is your writing ritual? Are you a disciplined writer?
I write for several hours every day when I have the opportunity. I work part-time as a Spanish professor at the University of New Mexico and that allows me to devote time to writing. Though I wouldn’t use the word “disciplined” to describe me in this context. I need discipline to go to the gym, to study a new language and even to get up early. But I love writing so I keep doing it whenever I have a chance.

Did you have a smooth path to publishing?
It wasn’t too rough. I sold my first novels by myself and now I have two very good agents who take care of that part of the business. But still, it does take time, energy and commitment. And discipline (here I would definitely use the word) to send the manuscripts out and not to get discouraged with rejections.

Do you have any favorite authors? What type of books do you read for entertainment?
Yes! In English I love Ann Tyler. I have read all her books several times. One of my favorites is The Accidental Tourist. I also admire Lorraine Lopez, who just published The Gifted Gabaldon Sisters and who is also a creative writing professor at Vanderbilt University. I like the Spanish classics of the nineteenth century (Benito Perez Galdos, Leopoldo Alas, Armando Palacio Valdes). In fact, I brought all the way from Cuba a ragged copy of La Regenta. I supposed that I could find the book here but just in case…I am also a big fan of Daina Chaviano and Pedro Juan Gutierrez.

What’s on the horizon?
My play Hasta que el mortgage nos separe (Until Mortgage Do Us Part) will be staged on Chicago by Aguijon Theater in May and June and my short novel El difunto Fidel (The late Fidel) will be published by Editorial Renacimiento in Spain so I will be promoting them this summer. I am also working on another collection of short stories in English.
 

Thanks, Teresa! And good luck with your work!

Read Full Post »

photocroppedcortezsarahA proud Houstonian, Sarah Cortez is a cop, poet, short story writer and editor of the award-winning nonfiction work, Windows Into My World, a collection of short memoirs written by young authors. She was kind enough to take time from her busy schedule to answer my questions about her work, editing, and the creative process.

Thanks for this interview, Sarah. How do you combine your personas as cop, poet, freelance writer and editor when you sit down to write?

When I sit down to write, the leading persona is that of poet. By that, I mean that the foremost goal – in whatever genre is at hand – is creating a piece that accomplishes that genre’s goal in an economy of language and an elegant style. Added to this, of course, are considerations of subject matter and tone – which draw heavily on my experiences as a street police officer. I see the world from a blue collar perspective. This change has come about even though I grew up in a white collar environment and worked in the white collar corporate world for fourteen years before going into policing.

Were you an avid reader as a child?

As a child, I absolutely couldn’t wait to learn the magic of letters and words. My mother was a classroom educator and she started teaching me letters and words before kindergarten. In fact, I remember with great fondness her sewing on her sewing machine the binding for books she made for me using the large, beautiful photographs from Life magazine. Both my parents read a story with me every night before bed – what a treat that was! Once I was older I devoured all the adventure stories in the library.

After reading one of your poems, I can’t help feeling that the ‘toughness’ required to being a police officer is reflected in your tone and imagery. Tell us a little about how your creative process. Do poems flow out of you in a stream-of-consciousness manner? Do you edit and re-edit a lot?

In terms of creative process, this is how I work on poems. The first line will come to me, usually when I’m doing some mundane, repetitive task like driving. I always write it down immediately. It’s a gift from the subconscious. This first line establishes the rhythm of the poem. I call it “the music of the first line.” Later, when I have time I continue writing the poem, from that first line. As I write, I experiment in the usual way any good poet does, e.g. I change line length, stanza length, vocabulary, sentence structure, punctuation, etc. During this period I am also looking at what the poem is trying to become, i.e. the main focus of the poem. After many edits and experiments – maybe, at least ten version of the poem – I’ll get to what I consider a “first draft.” This is the version I will type on the computer and print. (I do all the previous work by hand.) From this “first draft,” I will continue revising the poem. A very few poems come together in less than a year. Sometimes there will be just one word that isn’t perfect and it may take years of thinking about it to find the exact word to fit. I remember poet Olga Broumas saying for one of her powerful poems that it had taken seven years to find the final verb that completely and absolutely makes that poem come together.

What about your process editing short fiction?

I was first published in short fiction because love of it is what led me to begin taking creative writing courses. In addition, my years of experience editing memoir had given me a lot of knowledge dealing with those mechanics that the two genres have in common: narrative, pace, tone, dialogue, characterization, moving back and forth in time. I’ve had no less an author that the amazingly prolific and talented, American Book Award winner Joseph Bruchac compliment my editing of his short fiction. (Please see my website www.poetacortez.com for other well-known writers’ endorsements of my editing skills.) I consider editing a vehicle for also educating the beginning writer, so I try to explain my choices so that a beginning writer will also be supported in their gaining of additional skills. Typically, an editor does not have to explain choices to an experienced professional writer – they understand immediately.

Lately you have been conducting workshops for young adults based on your book, Windows Into My World: Latino Youth Write Their Lives. Tell us a bit about this book.

The original idea for creating an anthology of short memoir written by young (high school and college-aged) Latinos came to me because there was nothing on the market. There were plenty of books with middle-aged Latinos/as writing about being young, but there was nothing with young Latinos/as writing about being young. (In memoir, this change in perspective radically affects the writing.) Through my own teaching of high school Latinos I knew how desperately such a resource was needed. One of the greatest joys as I travel around the country meeting with teachers, librarians, community educators, and graduate students teaching composition is that they all say, “Thank you! We need this book to help us reach our 02students.”

What’s on the horizon for you?

Thank you for asking about my current projects. I am collecting writing from police officers to create an anthology of voices to tell America who we are. Most of the next several months will be spent traveling to book launch events around the U.S. for HIT LIST: THE BEST OF LATINO MYSTERY. We have events in New York City, Denver, Texas, California, etc. The positive response to the book is overwhelming. I am also still participating in events to help people learn about WINDOWS INTO MY WORLD: LATINO YOUTH WRITE THEIR LIVES.

Thank you, Sarah!

To find out more about Sarah’s work, her upcoming public appearances and read samples of her poetry, visit
www.poetacortez.com.

Read Full Post »

Older Posts »

Follow

Get every new post delivered to your Inbox.

Join 71 other followers

%d bloggers like this: