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The Edison Enigma

Thomas White

196 pp.

Scifi/Mystery

Edison, a Chicago physicist, manages to successfully transport an object through time. Almost immediately following this success Dr. Edison is shut out of the facility and told by benefactor Raphael Barrington, to take a vacation. He is contacted by Don Rivendell, a grizzled old man with a secret. Rivendell explains to Tom that he is not the first person to discover time travel. Someone else went back and changed history by saving a young girl from dying in an internal combustion engine explosion.

Dr. Edison is tasked with going back and fixing history. He travels back to 1904 to find the younger version of Rivendell and stop him from saving the girl. 

You can purchase your copy of The Edison Enigma at Amazon at https://t.ly/_NOoo.

 

 First Chapter:

 

The sun reflected off Lake Michigan, projecting a silvery shadow on the buildings along the shoreline as a serene Spring breeze drifted in from the lake. Southbound Lakeshore Drive was as it always was at 8:15 AM: bumper to bumper and moving along at a torrid three miles per hour. Dr. Tom Edison checked the dashboard clock, banged his palm against the steering wheel, and hit the phone button under his left thumb.

“Call the lab.” He barked at the car computer. The number dialed, not fast enough for him, and he heard the chimes through his car speaker. 

 Off to the side of the road, about five cars ahead, he saw a dark gray sedan with the hood popped and smoke billowing out. Clearly, this was one of the reasons for the traffic jam, but he could hardly blame this everyday occurrence on that poor vehicle. The fire department was approaching on the Northbound side, lights flashing. 

“Barrington Scientific Research Center. How may I direct your call?” The male operator asked with professional precision.

“Dr. Bruce Reeves, please.”

“I’m sorry. Dr. Reeves is unavailable. Can I take a message?”

Tom took a deep breath and reminded himself that this fellow was just doing his job. 

“This is Dr. Edison. I need to speak with Dr. Reeves.”

“Oh, sorry, I didn’t recognize your voice. One minute, Dr. Edison.”

The big fire engine stopped opposite the concrete barrier separating North and South bound traffic. Eager firefighters jumped out and began to set up their gear on that side of the highway. Tom could see that this action would completely stop the flow of traffic. He could only hope to move past the car fire before the fire department shut down the drive in both directions.

The on-hold sound was the local radio station WBBM-Chicago. Lizzo was finishing “It’s About Damn Time,” and the station shifted to a news report.

“The EPA reported today that air pollution from auto emissions has continued to rise. Despite legislation, it has been estimated that each of the one billion automobiles on the road today emits 12gm of pollution per mile. In the greater Chicago area alone, that amounts to nearly 5 million tons of pollution daily. The EPA also reports that petroleum by-products continue to clog up our landfills by resisting the natural bio-degradable break-down process. Citizens are urged to use less plastic whenever possible and are encouraged, as always, to recycle. Meanwhile, on a more upbeat note, a twelve-year-old Evanston boy won the National Spelling Bee yesterday. He correctly spelled “annihilation” to capture first place and the ten-thousand-dollar prize.”

The phone buzzed, and Dr. Bruce Reeves was on the line. 

“Tom. Where are you?” The harried scientist said.

“I’m on Lakeshore and there’s a car fire. Spewing smoke everywhere. It’s sinful.”

“What the hell are you doing on Lakeshore?”

“Good question. Maybe I had an aneurysm. I should have just hit the 90. I’m coming up on Jackson. I’ll jump off here and take the 290. Look, I should be about another thirty minutes. Get the advance work prepped and I’ll be as quick as I can. It was stupid. I should have just stayed there.”

“No. You needed the break. You can only go so many days without quiet and a shower, particularly the shower. You aren’t in here alone, you know.”

Tom chuckled. “Yeah, it did feel good. Okay, just finish the prep, and I’ll see you soon. I have to check some data in my office, and then I’ll be with you in the lab. It’s a big day, Bruce! All the marbles are on the table.”

“Yeah, so is the watermelon. See you soon.”

The phone went dead just as Tom rolled past the burning car. In the rearview, he saw firefighters leap the center divider and begin closing down the road. He let out a grateful sigh as he rolled past the obstacle on his way to making history.

Twenty-two minutes later, he pulled into the parking lot at the BSRC. The BSRC was on 47th St. between Central and Hyman in Cicero. The building was a refurbished refrigeration factory, built in 1948 and acquired by the Barrington Corporation a decade earlier. Tom made his way to the front of the building and pulled into the third parking spot from the front door. The concrete bumper had a large chunk chipped out of the left corner, and the name, Dr. Tom Edison, that had been painted on it ten years earlier was now faded and worn. 

Dr. Tom Edison was thirty-nine years old, stood a hair under six feet, and, while not having an athletic body, had been able to maintain a slim waist. He had been the recipient of the Barrington Scientific Research grant a decade ago and was on the precipice of taking his theories to fruition. The funding provided by The Barrington Research Facility allowed him to develop a technique that could easily change the world as we knew it. Today was the day he would find out if his theories worked. 

Tom entered through the electronic door, slid his ID card into the turnstile reader, and crossed to the elevators. Once inside, he placed his palm against the glass pane mounted on the wall and leaned in for his retinal scan. He saw his reflection in the glass scanner and noticed that, mixed with his black mane, a few grey hairs had popped out. A nano-second passed while the AI operating system, known as the Quint, verified his identity.  “Welcome, Dr. Tom Edison. You may push the button for your desired floor.” Tom reached out and hit the LB button on the bottom of the panel. 

The elevator door opened and Tom moved confidently down the long, white corridor. The fluorescent lights, apparently mandatory in any industrial facility, adequately illuminated the hallway, even if the irritating glow made him wish he had his sunglasses. 

Tom’s office was down the hall to the left. It had a spacious reception area where his secretary held court. His name was Jerzy Bartley. He was astoundingly proficient with scientific jargon and held a unique understanding of quantum physics, not to mention being the most organized individual he had ever met. Jerzy held a master’s in physics and was, without a doubt, overqualified for this job. His deep loyalty to Dr. Edison, his dedication, and his fascination with the good doctor’s work kept him attached to Tom. He had refused three different promotions, and Tom had been so very grateful each time he did. In his early thirties, Jerzy was an African American male who stood six feet nine inches tall with a shaved head and a short, trimmed beard. He dwarfed everyone in the facility. However, his affable smile never failed to start Tom’s day on a good note. Tom entered the office.

Jerzy looked up from his computer.

“Hey, boss. Glad you were able to make it.”

“Very funny. It was stupid to go home last night. I should have stayed. Anything new happen in the last couple hours?

Jerzy shook his head as Tom moved past him. 

“Nope, I got in about an hour ago and everyone was just sitting on pins and needles waiting. How’s it looking?”

Tom zoomed into his office, yelling over his shoulder, “I’ll know in a few minutes.”

Tom sprang into his chair and opened his computer. He saw his reflection in the dark screen. His black hair needed a cut, but who had time? His hazel eyes were a tad bloodshot from over-work, but the dark circles that resided under them were less pronounced thanks to a shower and five hours of sleep in his own bed.

There were several last-minute equations to confirm. Precision was everything if this project was to succeed. Tom immediately became engrossed in his work, and the rest of the world slipped into his rearview mirror. 

Absorbed as he was, Tom failed to see or hear the subtle noises coming from the ventilation shaft that sat at floor level behind him. Had he turned around, he would have seen a beam of light periodically flashing across the back of the vent. As Tom worked, the light grew closer and closer.

Inside the vent, she moved as stealthily as she could. It was cramped, but she was comparatively slight, so she moved with little resistance. In her hand was a small uplink device called The Quince. It was a remote device connected to The Quint. The Quint ran everything in the facility, and she was using The Quince to bypass the security within the ventilation system. The BSRC was a full-security building with redundant security protocols. These shafts were part of the original design when the building was constructed in 1948. Large metal tunnels that webbed throughout the facility carried cool or heated air to every part of the building. In each room, an ornate bronze vent cover sat at floor level. When the BSRC retrofitted the building, the decision was made to install electronic barriers along the shafts rather than replace the entire ventilation system. Because they were electronic barriers, she could use the Quince to override each one as needed. The fact that she had managed to get this far was no small feat. The journey had started one flight down and on the east side of the building. She had to climb up one flight and maneuver to the west side to get here. 

A holographic image floated above the handheld, detailing her route and giving her data on her position and distance to her destination. She approached the next gate, read the number from the top of the frame, and entered it into her handheld Quince. The gate swung open. She continued her crawl forward. 

Three gates later, she peered through the vent that would open into Dr. Tom Edison’s office. She could see the light from the computer casting a silhouette around Tom’s head as he fixated on his screen. She read the number at the top of the vent cover and entered it into the Quince. The vent silently swung open. Now was her most significant moment of danger. As she entered the room, she would have to be completely silent; the tiniest scrape or bump could alert this man, and her jig would be up. Inch by inch, she slithered forward, remaining completely quiet. She managed to get out of the vent without alerting the subject and lay on the floor directly behind the clueless scientist. Placing the Quince on the carpet next to her, she slowly moved her legs under her and stood up, careful not to sway into his peripheral vision. She stood straight up and took two cautious steps forward. Raising her arms over her head, she placed both hands over his eyes and yelled, “Guess who!!!”

Startled, Tom jumped from his seat. He spun around, preparing to defend himself from whoever had just broken in. As he leapt, his fist raised, and just before he swung, he had that moment of recognition.

“Oh, for Chrissake, Lori! What the hell?”

Dr. Lori Pellitier was the scientific officer on this project and one of the country’s sharpest computer/mechanical minds. She was in her mid-thirties, had a slight build, thin but curvy, with dark black hair pulled back into a ponytail. At five foot three inches tall, with blue eyes and an olive-brown complexion, she perfectly complimented her multi-racial background. She had a quirky sense of humor, and this stunt was well within her wheelhouse. She wore baggy, gray overalls that she acquired for her trip through the ducts. There were dirt stains on her elbows and knees, and was overall, just plain dusty from the crawl through the vents. 

“Just checking out the security protocol in the ventilation systems while we all wait for you. This one needs work, obviously.” She unzipped her overalls and let them drop to the floor. Underneath, she wore a blue silk shirt, black designer jeans, and red, bedazzled tennis shoes. Knowing her destination, she had prepared accordingly, and her subtle yet effective makeup had been undisturbed. She attempted to brush off the dirt with her palms, creating a small cloud of dust that swirled around her. She pulled the scrunchie out of the ponytail she needed for the crawl and shook her head. Her black hair cascaded around her glowing face.

Tom didn’t notice. “Yeah, sorry about that. For some reason, I thought I had enough time to go home. Stupid.”

Lori folded the overalls, picked up the Quince, and wandered around to the front of his desk. She walked a bit slower than usual, accentuating her hip movement. 

“I told you Montrose Beach was too far. So, how’s it coming?”

Tom smirked at her reference to his home location, unwilling to address this topic again, and said, “I just need to input one more piece of data, and I’m there.” Tom continued typing while he talked. “So, you can override all those vent protocols remotely? Seems odd; why would they want that to happen if the intent was to keep people from crawling through?” He looked up at her as she slightly tilted her head and smiled.

“Well, it could be a way in, which no one wants, but it could also be a way out in the case of emergency and they wanted to be able to control who’s coming and going.” 

Sitting in the chair, she put her feet up on the edge of his desk. She opened the Quince and was searching through a variety of sites. Holographic images began popping up. Some were schematics, and others were pictures and graphics. 

A picture of a couple on the beach making out popped onto her screen. She looked at Tom to see if he noticed. He hadn’t.

She decided to be a bit more obvious.

“This Quince can access the vents, the elevator shafts, and the hallways. I can see the entire security video feed through this little baby, and it comes with some interesting attachments.”

A video popped up, and the audio caught Tom’s attention. He raised his head and saw a couple falling onto a bed as they began to make love. He chuckled and turned back to the screen.

Frustrated again, Lori turned the video off and said, “So, this thing gonna work? Or are we all just prepping for a picnic lunch?”

“Well, if it doesn’t, we can use your skills to become industrial spies. I hear there’s money in that.” He leaned in quickly toward the screen.

“There it is,” cried Tom. “I’ll send this down to Bruce and we are good to go. Are you all set?”

“Darlin’, I haven’t been awake for thirty-six hours for nothing. Let’s do it.”

Tom and Lori both stood and looked at each other. Tom took a deep breath as a moment of clarity struck him. He started to sweat slightly and leaned on the desk as though he was about to pass out. 

“Whoa, you okay there, cowboy?” Lori came around to steady him. 

He leaned against his desk, hands clenching the edges, overwhelmed. “We’re not messing with Mother Nature, right?”

Lori took his hand and held it tight. Her nails were surprisingly short but well-manicured. Tom squeezed her hand, and its sheer warmth calmed him. It felt good to have someone who understood. He noticed her nails and was gratefully distracted. Looking at the hot pink, he said, “It always seemed incongruous that your nails are so short. For whatever reason, I’ve always expected long, dangerous, and bejeweled.”

She chuckled, “With as much time as I spend on a keyboard, I don’t have a choice. But if I did, I can’t tell you the wonders you would see on the ends of my fingers!”

They both laughed. A moment passed between them. He looked into her blue eyes, felt better, and then anxiety smacked him across the face. 

Tom said, “We can accomplish so much good if this works. I just want to be sure we’re not mixing the pasta and the antipasta.” 

“Kinda late to be asking that question, and it’s antipasto, but okay, no, we are not messing with Mother Nature. If we can accomplish this, then we have to see it through.”

Tom squeezed her hand again, now doubting every decision he’s made. “Is it really best to send a watermelon through first? I mean, is that the best choice?”

Lori chuckled. “Hell yeah! What could be better? Whatever we send has to be organic. We don’t want to use an animal, too messy with the activist groups. Using an orange would be cliché’. Watermelons have size and weight. I’d say it’s perfect, and if we succeed, we can throw a picnic and eat it afterward.” Lori indicates her stomach and traces a line down to her crotch, “Or we could play connect the dots with the seeds?”

The computer beeped behind them. Tom turned and looked at the screen. “Bruce has everything ready. Time to go.” Tom raced out into the outer office. Lori took an exasperated deep breath and followed. Jerzy turned to them as soon as the door opened. 

Tom smiled at him and said, “Want to see history in the making?”

Jerzy laughed, “You know I do!” He began to gather up his notepad and phone.

“Then let’s get moving. History waits for no man!” 

They all headed to the lab to attempt to send a watermelon through time.

Thomas White began his career as an actor. Several years later he found himself as an Artistic Director for a theatre in Los Angeles and the winner of several Drama-Logue and Critics awards for directing. As Tom’s career grew, he directed and co-produced the world tour of “The Teenage Mutant Ninja Turtles: Coming Out Of Their Shells”. The show toured for over two years, was translated into seven different languages and seen by close to a million children. Tom served as President and Creative Director for Maiden Lane Entertainment for 24 years and worked on many large-scale corporate event productions that included Harley Davidson, Microsoft, Medtronic Diabetes, and dozens of others. The Edison Enigma is Tom’s third novel following up Justice Rules which was nominated as a finalist in the Pacific Northwest Writers Association 2010 Literary contest, and The Siren’s Scream.

Author Links  

Website | X (Twitter) | Facebook 1 | Facebook 2 | Goodreads

The Golden Manuscripts: A Novel

Evy Journey  

360 pp.

Women’s Fiction / Historical Fiction / Mystery

A young woman of Asian/American parentage has lived in seven different countries and is anxious to find a place she could call home. An unusual sale of rare medieval manuscripts sends her and Nathan—an art journalist who moonlights as a doctor—on a quest into the dark world of stolen art.  For Clarissa, these ancient manuscripts elicit cherished memories of children’s picture books her mother read to her, nourishing a passion for art.  When their earnest search for clues whisper of old thieves and lead to the unexpected, they raise more questions about an esoteric sometimes unscrupulous art world that defy easy answers.   Will this quest reward Clarissa with the sense of home she longs for? This cross-genre literary tale of self-discovery, art mystery, travel, and love is based on the actual theft by an American soldier of illuminated manuscripts during World War II.

Buy Links:

Amazon | B&N | Apple Books

 First Chapter:

November 2000

Rare Manuscripts

I sometimes wish I was your girl next door. The pretty one who listens to you and sympathizes. Doesn’t ask questions you can’t or don’t want to answer. Comes when you need to talk. 

She’s sweet, gracious, respectful, and sincere. An open book. Everybody’s ideal American girl. 

At other times, I wish I was the beautiful girl with creamy skin, come-hither eyes, and curvy lines every guy drools over. The one you can’t have, unless you’re a hunk of an athlete, or the most popular hunk around. Or you have a hunk of money.

But I’m afraid the image I project is that of a brain with meager social skills. The one you believe can outsmart you in so many ways that you keep out of her way—you know the type. Or at least you think you do. Just as you think you know the other two.

I want to believe I’m smart, though I know I can be dumb. I’m not an expert on anything. So, please wait to pass judgement until you get to know us better—all three of us. 

Who am I then? 

I’m not quite sure yet. I’m the one who’s still searching for where she belongs. 

I’m not a typical American girl. Dad is Asian and Mom is white. I was born into two different cultures, neither of which dug their roots into me. But you’ll see my heritage imprinted all over me—on beige skin with an olive undertone; big grey eyes, double-lidded but not deep-set; a small nose with a pronounced narrow bridge; thick, dark straight hair like Dad’s that glints with bronze under the sun, courtesy of Mom’s genes. 

I have a family: Mom, Dad, Brother. Sadly, we’re no longer one unit. Mom and Dad are about ten thousand miles apart. And my brother and I are somewhere in between.

I have no one I call friend. Except myself, of course. That part of me who perceives my actions for what they are. My inner voice. My constant companion and occasional nemesis. Moving often and developing friendships lasting three years at most, I’ve learned to turn inward. 

And then there’s Arthur, my beautiful brother. Though we were raised apart, we’ve become close. Like me, he was born in the US. But he grew up in my father’s home city where his friends call him Tisoy, a diminutive for Mestizo that sometimes hints at admiration, sometimes at mockery. Locals use the label for anyone with an obvious mix of Asian and Caucasian features. We share a few features, but he’s inherited a little more from Mom. Arthur has brown wavy hair and green eyes that invite remarks from new acquaintances. 

Little Arthur, not so little anymore. Taller than me now, in fact, by two inches. We’ve always gotten along quite well. Except the few times we were together when we were children and he’d keep trailing me, like a puppy, mimicking what I did until I got annoyed. I’d scowl at him, run away so fast he couldn’t catch up. Then I’d close my bedroom door on him. Sometimes I wondered if he annoyed me on purpose so that later he could hug me and say, “I love you” to soften me up. It always worked.

I love Arthur not only because we have some genes in common. He has genuinely lovable qualities—and I’m sure people can’t always say that of their siblings. He’s caring and loyal, and I trust him to be there through thick and thin. I also believe he’s better put together than I am, he whom my parents were too busy to raise. 

I am certain of only one thing about myself: I occupy time and space like everyone. My tiny space no one else can claim on this planet, in this new century. But I still do not have a place where I would choose to spend and end my days. I’m a citizen of a country, though. The country where I was born. And yet I can’t call that country home. I don’t know it much. But worse than that, I do not have much of a history there. 

Before today, I trudged around the globe for two decades. Cursed and blessed by having been born to a father who was a career diplomat sent on assignments to different countries, I’ve lived in different cities since I was born, usually for three to four years at a time. 

Those years of inhabiting different cities in Europe and Asia whizzed by. You could say I hardly noticed them because it was the way of life I was born into. But each of those cities must have left some lasting mark on me that goes into the sum of who I am. And yet, I’m still struggling to form a clear idea of the person that is Me. This Me can’t be whole until I single out a place to call home. 

Everyone has a home they’ve set roots in. We may not be aware of it, but a significant part of who we think we are—who others think we are—depends on where we’ve lived. The place we call home. A place I don’t have. Not yet. But I will.

I was three when I left this city. Having recently come back as an adult, I can’t tell whether, or for how long, I’m going to stay. You may wonder why, having lived in different places, I would choose to seek a home in this city—this country as alien to me as any other town or city I’ve passed through. 

By the end of my last school year at the Sorbonne, I was convinced that if I were to find a home, my birthplace might be my best choice. I was born here. In a country where I can claim citizenship. Where the primary language is English. My choice avoids language problems and pesky legal residency issues. Practical and logical reasons, I think.

About Evy Journey

Evy Journey writes. Stories and blog posts. Novels that tend to cross genres. She’s also a wannabe artist, and a flâneuse. Evy studied psychology (M.A., University of Hawaii; Ph.D. University of Illinois). So her fiction spins tales about nuanced characters dealing with contemporary life issues and problems. She believes in love and its many faces. Her one ungranted wish: To live in Paris where art is everywhere and people have honed aimless roaming to an art form. She has visited and stayed a few months at a time.

Author Links  

Website | Facebook | Instagram | Goodreads

Steven Meloan has written for Wired, Rolling Stone, the Huffington Post, Los Angeles, BUZZ, the San Francisco Chronicle, and SF Weekly. His fiction has appeared in SOMA Magazine, the Sonoma Valley Sun, Lummox Press, Newington Blue Press, and Roadside Press, as well as at Litquake, Quiet Lightning, Library Girl, and other literary events. His short fiction collection, St. James Infirmary, was released in 2023 on Roadside Press. He is a recovered software developer, co-author of the novel The Shroud with his brother Michael, and a former busker in London, Paris, and Berlin.

Author Links  X (Twitter) | Facebook | Instagram

Would you call yourself a born writer?

Actually, no. In younger days, I saw myself as more of a science person than an arts person. That was greatly due to parental influences. I have a degree in Biology from a major university, briefly worked in a cancer research lab after graduating, and was a software programmer for over 15 years. But even back in college days I loved writing and the arts, taking whatever cinema and writing classes that I could squeeze into my busy schedule. And most of my friends were from those more artistic disciplines. In my sophomore Shakespeare class during college, the professor wrote on my Hamlet paper—“If you’re not a Comp. Lit. major, you should be!”

But I arrived at writing in a slow and roundabout fashion. I came of age during the 1970s, arguably a golden era of popular music. I distinctly remember marveling at the lyricism of the music from that time, and wondering whether I could ever write such things. It wasn’t until I was in my early 20’s that I first took a stab at songwriting—ultimately recording songs that found their way onto the biggest LA radio station, some television, and even a movie. 

Later, a friend of mine from that time wrote me a letter and said how much he loved my descriptive postcards, suggesting that I “try writing.” And so I did—but only after taking some dedicated time to study the short story form. Even so, the second story I ever wrote found its way into a San Francisco monthly magazine. Since that time, I have co-written a novel with my brother. And now this collection.

What was your inspiration for St. James Infirmary?

Many of the stories were spawned by semi-annual literary events in my town—raucous, coffeehouse-style readings often set to acoustic live music. The group just celebrated its ten-year anniversary at the same location. After several years of such gatherings, one of the co-founders of the events suggested that I put my stories together into a collection. The picture below was taken at one such gathering, and is on the back cover of St. James Infirmary.

In the process of assembling the book, I came to see that the stories often centered around “wounded people in need of care.” And since the title story makes mention of an old folk-blues standard, “St. James Infirmary,” it seemed the perfect encompassing title. 

What themes do you like to explore in your writing?

With most of the stories, I began with the germ of some event or experience that was important or memorable to me, and then let the underlying meaning of the experience reveal itself during the writing. The book’s jacket blurbs note that the stories take readers on “a dark and uncanny journey through everyday life,” exploring “complex human relationships and the often-mysterious forces that shape them,” and then “throwing a column of light into the underground of the ordinary.”

The collection’s title story centers around a wild cocktail party thrown by my parents during my teen years. The cover image of the book—featuring a cocktail glass and ‘60s/’70s Pop Art colors—is visually celebrative. But the title text hints at darker undercurrents. 

How long did it take you to complete the book?

The stories developed over the course of several years. And then came the process of finding a publisher

Are you disciplined? Describe a typical writing day.

When given the opportunity, I can be quite disciplined and focused. In my songwriting days, I followed the mantra of an almost daily dedicated period (after work) of doing nothing but that for several hours. As is often said—don’t wait for inspiration to strike, set the stage and hope that it does. And the same was true during the writing of my novel—setting all other tasks and demands aside for several hours a day, spanning many years. I have always remembered advice from the Pulitzer Prize winning San Francisco Chronicle columnist, Herb Caen. He said that he spent only two hours a day actually writing his column, with the rest of his workday spent absorbing potential material and simply living life. As Caen noted, one can get an amazing amount of work done in just a few focused/dedicated hours. 

The development of these stories came about in a less than daily routine, given work and family demands. (The St. James Infirmary title is a partial commentary on such things.)  But even when not sitting down at the laptop, there is still a subconscious percolation process. An idea or new slant on a developing story can arise at totally unexpected moments. Thank goodness for iPhone memos to capture germinating ideas for later development.

What did you find most challenging about writing this book?

I don’t know that it was challenging, per se, but since many of the stories were written to be read aloud, that was an essential part of the writing process—ensuring the proper timing and phrasing of the words. 

What do you love most about being an author?

Perhaps most satisfying is the process of discovering the underlying meaning of the story being told, and watching it unfold in ways that can even surprise oneself. And then later getting feedback from those that enjoyed hearing/reading the story.

Did you go with a traditional publisher, small press, or did you self publish? What was the process like and are you happy with your decision?

I’d had a previous collection of song lyrics published out of an indie press in Germany. Through them, I connected and became friends with Westley Heine, a wonderful musician, poet, and memoirist, with a book on the same German press. Westley ultimately found his way to Roadside Press, and Michele McDannold. Roadside published Wes’ Busking Blues, a wild memoir of his days as a Chicago squatter and street musician. Through that connection, St. James Infirmary also found a Roadside home. McDannold is a true publishing force of nature—with over 100 recent books of poetry, prose, and memoir. And she is a brilliant poet in her own right. I couldn’t be happier with that Roadside decision.

Where can we find your book on the web?

Roadside Press Online Store:

https://www.magicaljeep.com/product/james/129

Amazon:

http://tinyurl.com/fv3zr2hn

IndieBound:

https://bookshop.org/p/books/st-james-infirmary-steven-meloan/20014539

The book is also available on Apple Books, Barnes and Noble, and through any brick-and-mortar store (via Ingram).

Going There first chapter reveal

Going There: Tales from the Riviera and Beyond

Donna Fletcher Crow

152 pp.

Travel Memoir

In the summer of 2021 my daughter-in-law and I slipped through a brief window of sanity in a world driven mad by the Covid pandemic. Our purpose was to see my granddaughter Jane to a summer program in Monaco, then back to her ballet school in Switzerland. In spite of restrictions, protests, and nail-biting worries, the result was a marvelous experience. I invited characters from my mystery series to join me in my imagination and have their own adventures in each setting. Their encounters are: Nice: “The Crime of Passion”; St Tropez: “The Mother Decrees”; Villefrance-sur-de-mer: “The Ghost Boy”; Monaco: “Fracas in Monaco”; The Loire Valley: “The Old Winemaker”;  Saint Gallen: “Whispers of Legend”. The final coda is “Home Another Way” As 2 years later I return from quite a different trip aboard the Queen Mary 2 and my characters join in the celebrations as worlds coincide. More information on the book GOING THERE: TALES FROM THE RIVIERA AND BEYOND can be found at https://www.amazon.com/Going-There-Tales-Riviera-Beyond-ebook/dp/B0CPHBRVJH?ref_=ast_author_mpb.

 First Chapter:

The Beginning Summer 2021 Okay, I booked this trip knowing the world—and especially travel—was still in the grip of a pandemic. Covid-19 was causing cancellations, cutbacks, and inconvenient constraints. It was, however, hardly the first international trip I had undertaken at a time of world-wide crisis. But first. Let me explain. Granddaughter Jane had an interval between her summer program at the Princess Grace Ballet School in Monaco and her return to her regular studies in Basel. Daughter-in-law Kelly and I were convinced she needed our chaperonage. Never mind that Jane had recently turned a very mature 19, was securely locked in during her time in Monaco, and that she knows Central Europe far better than either one of us… The fact is, though, Kelly and I are both writers, so we’re forever keen for new experiences to add to our tool kits.  Kelly is a food writer with a Cordon Bleu Grand Diplome, and I am always eager for all things literary—especially intriguing settings for murder to ensue. Kelly crafted an itinerary perfectly suited to both our interests.  My husband took some convincing. People were still dying of the dreaded virus. We read daily of travelers detained for weeks in hotel rooms at their own expense when they tested positive. Even if one passed the crucial medical test required to board a plane, there would be numerous inconveniences (and there were many reports of tests giving “false positives”)… I smiled and nodded and said, “Yes, dear.” And continued packing. After all, travel restrictions had eased to the point of international travel not being entirely forbidden as it had been for the previous 18 months. Besides, as I said earlier, I had done this before.  In 2001 I took one of the first planes to fly out of Boise after 9/11. The international crisis certainly added a frisson to my “Holy Longing for Sacred Places” pilgrimage through England and Scotland. Some of my most vivid memories include smiling at the lapel pins of crossed Union Jacks and Stars and Strips one saw everywhere in London. And sitting on a remote beach at the back of Holy Island—on the spot where Vikings first invaded England—and seeing Royal Air Force fighter jets roar overhead. Still, I knew my shivers and awareness of distant war could hold nothing to the terror the Lindisfarne monks had experienced. Twenty years later I asked, What terrors could the inconveniences of a world-wide pandemic hold for me? And even that was hardly my first experience traveling in troubled times. In 1996 I had set out for Northern Ireland shortly after the signing of the Good Friday Agreement with my teenage daughter and her best friend in tow. Thankfully, the IRA bombs that exploded two blocks from the library where I was researching and the bomb that demolished a London bus while we were there didn’t phase us. But the bombing of Central Manchester profoundly influence the book I was working on. Again, there had been the time in March of 2003, when I was in retreat at a monastery in Yorkshire and the American president issued an ultimatum giving Saddam Hussein 48 hours to disarm. My husband called and said, “Come home. Now. There will be war.”  My dash the length of England down to London remains a blur in my mind, but I will never forget crossing London in the tube, knowing that if the expected gas attack were to happen then, the noxious cloud would spread down the tunnels unhindered. No, I wasn’t terrified, or even frightened. As is my normal fallback position, I took the historical perspective. My uppermost thought was: Is this what it was like during the Blitz? So, in more modern times, as I sat out my postponed flight in the Brussels airport, awaiting a rescheduled plane with a worse connection and less comfortable seat, and much-delayed arrival, (who wants to be sitting in an airport when they could be on a beach in Nice?) My mind turned to those pivotal moments that fill the history books I love to read. What was it like for the little, everyday people caught up in the momentum of the times? My experiences are small potatoes, indeed, compared to the great annals, but realizing that my inconveniences are part of experiencing history helps relieve the frustration and adds a wider meaning to the moment. What’s having to wear a face mask compared to wearing a gas mask? What sort of depravation is a pre-packaged sanitized meal (no matter how weird hummus and bruschetta tasted for breakfast) compared to years of rationing? Or even starvation? Some day will we be talking about having a “good lockdown” like our parents or grandparents talked about a “good war”? Just a year ago our nightly walk in the park near our home was a great adventure. Our only outing. Today, since the airplanes and airports are less full, we intrepid ones who have ventured out—perhaps beyond our comfort zone, and willing to put up with the added inconveniences for family or business needs—find an element of camaraderie in the shared adventure; if not actual danger. As my waiting dragged on, my mind turned to the writing I hoped this foray into the unknown would inspire. A series of blog articles, no doubt, but what else? A novel for one of the three mystery series I write? Hmm—perhaps Felicity and Antony from my Monastery Murders could be visiting a monastery in France or Switzerland and find a gripping puzzle that led them to look into ages past? Or Lord and Lady Danvers from my Victorian true-crime series could travel to the continent—after all, the Victorians were inveterate travelers—and be drawn into a crime only they could solve? Or Elizabeth and Richard, my retired English lit professors, now living in England, what literary figures might they be studying on the Riviera when they inconveniently trip over a body? Well, it did make the waiting go more quickly. And the questions returned many times during the ensuing days of gorgeous touring, but in the end they all presented me with ideas for short stories—which, Gentle Reader, I offer to you here.

About Donna Fletcher Crow

Donna Fletcher Crow, Novelist of British History, is an award-winning author who has published some 50 books in a career spanning more than 40 years. Her best-known work is Glastonbury, The Novel of Christian England, a grail search epic depicting 1500 years of British history. The Celtic Cross is a 10-book series covering the history of Scotland and England from the 6th to the 20th century. Crow writes 3 mystery series: The Monastery Murders, contemporary clerical mysteries with clues hidden deep in the past; Lord Danvers Investigates, Victorian true-crime stories within a fictional setting; and The Elizabeth and Richard literary suspense series, featuring various literary figures. Where There is Love is a 6-book biographical novel series of leaders of the early Evangelical Anglican movement. The Daughters of Courage is a semi-autobiographical trilogy family saga of Idaho pioneers. Reviewers routinely praise the quality of her writing and the depth of her research. Crow says she tries never to write about a place she hasn’t visited and one of her goals in writing is to give her readers a you-are-there experience. Donna and her husband of 60 years live in Boise, Idaho. They have 4 children and 15 grandchildren, and she is an avid gardener. Author Links Website | Twitter | Facebook | Goodreads  

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Her Dying Kiss: Detective Katie Scott Book 10
Jennifer Chase
370 pp.
Crime Thriller

She wakes to the dawn light streaming through the window and rolls over to whisper good morning to her fiancé. But panic floods her veins. His side of the bed is empty and cold. Blood trails towards the open door. All trace of him is gone…

It’s been one month since Detective Katie Scott’s fiancé, Chad, went missing without a trace. Devastated Katie is still working tirelessly day and night to track down the love of her life, barely sleeping and chasing every new lead. But now the case has gone cold.

When the body of beautiful Gina Hartfield is discovered among the pine needles in a clearing on Lookout Ridge, Katie swallows her own pain and knows she must focus on finding Gina’s killer. The young woman was found with a pink velvet blindfold shading the hollows where her eyes had been removed. Katie is certain she is chasing a sadistic individual who will soon take another life…

But the autopsy reveals Gina’s body was washed before being abandoned, leaving no trace of evidence behind. And with no witnesses to Gina’s disappearance, the women of Pine Valley are terrified to go out alone.

Desperately combing the crime scene, when Katie sees a newspaper article about her previous cases pinned to a nearby tree, she is certain Gina’s murder is personal. Then tire tracks found in the forest are matched to a truck seen following Chad in the days leading up to his disappearance. Katie’s blood runs cold.

Is there a link between Chad’s disappearance and Gina’s brutal murder, or is the killer playing a twisted game with Katie? Can she find out the truth before they take another life?

Here’s what critics are saying about Her Dying Kiss!

“I couldn’t put it down… action-packed with excellent plot twists… I had no idea what was coming next… so gripped with many twists and turns.” Goodreads reviewer

“Excellent, nail-biting thriller with a plot that’s had me enthralled from page one… I’ve been gripped through each twist and turn… jaw-dropping and totally unexpected… brilliant.” NetGalley reviewer

Buy Links:

Amazon | Barnes & Noble | Bookouture

 First Chapter:

Chapter One

One Month Later

Tuesday 1130 hours

There was a dead body, which was the focus of the synchronized police search. A deceased woman had been found by the utility company during their routine check and maintenance of the meters along the roadway. The body was efficiently wrapped in a large piece of dark brown burlap that had been rolled several times leaving only her head exposed. If not looking closely you would misinterpret the body dump for some type of discarded rug.

The victim was a brunette woman with long, perfectly combed hair with the strands resting on the burlap. At first, it seemed she was relaxed and had merely gone to sleep when, in fact, there were pink velvet pieces of fabric covering her eyes, as if shading her view of something.

John Blackburn, Pine Valley Sheriff’s Department’s forensic supervisor, kneeled down and carefully lifted one of the pieces of velvet, revealing the dark empty socket the eyeball had once occupied. The eye had been cleanly detached. It gave the body a more macabre appearance than the usual fixed eye stares of the dead.

John’s face was deeply sad and his mouth was turned down as he prepared to take a few more photos to document the scene before the medical examiner’s office took possession.

He carefully circled the body, taking the appropriate photographs—overall, medium range, then close-up—before collecting any evidence he could find. The young woman looked to be resting as the late afternoon sunshine cast down on her face. Her complexion, pale and ashen, appeared to be scrubbed clean, giving her a waxy doll-like exterior. There were no evident signs of makeup, dirt or blood on her face.

The south district area of Pine Valley was known for several warehouses that had been empty now for more than six months after a manufacturing company had vacated to a newer and more modern facility in an adjacent town. The front area to the one where the body had been found was overgrown, the weeds a few feet tall and garbage strewn around from where it had fallen out of an overturned, rusted-out dumpster. The dreary grey building looked more like emergency bunkers from a long time ago than a plant that had recently manufactured automotive parts.

Parked along the cracked driveway leading to the loading docks were several police cruisers, county vehicles and the forensic van. The main area of interest was near one of the loading bays. There were numerous cones and flags around, marking various pieces of evidence for photography documentation. The emergency personnel monitored the area and were conducting grid searches and making sure that no one was in or around the area that wasn’t supposed to be there, in addition to searching for more potential evidence. Everyone moved with precision and unity for the common goal of maintaining the crime scene.

“What do you think, John?” asked Detective McGaven. His towering height made him noticeable from a distance. His badge and gun were attached to his belt. “Is it the same as the other at Lookout Ridge?”

John walked up to the detective and nodded slowly. “We won’t know for sure until the body is unrolled and examined under controlled conditions, and I can run some tests… but, the signature appears to be similar if not the same, with the removed eyes.”

McGaven scratched his head, still observing the latest victim. His thoughts returned to his partner, Detective Katie Scott, and how he wished she were there examining the crime scene. Her perspective, instincts, and experience over the past year and half had been more than exemplary—her methods sometimes bordering on unorthodox, but always getting results. He had left several messages for her in hopes that she would open communications and ultimately return to work. His expression was solemn. It was as if a part of him was missing without her. He wanted to go to her house, but respected her need for privacy at this difficult time.

“Wish Katie was here?” said John watching the detective closely.

McGaven looked at the forensic supervisor and nodded. “How’d you know?”

“I feel it too. It seems strange not having her here.” He gazed around the area as if he expected to see Katie appear.

“Anything new with this scene?”

John shook his head. “Not that I can see right now. But we’ll know more soon.”

McGaven was disappointed, but knew that John would do everything he could to find any evidence. The last thing the detective wanted was for these homicides to go cold. He turned away and saw Detective Hamilton speaking with the utility workers. It wasn’t his optimum partnership, but he respected the detective and would overlook personality differences to make it work. “Thanks, John,” he said as he walked away, moving carefully around the area, looking for possible entrances and exit locations of the killer.

A young blonde woman with short hair was bent over taking a tire impression with a type of dental stone, waiting for it to harden. She looked up when McGaven approached. “Hi, Detective,” she said and smiled.

“How’s it going, Eva?”

“Good. This is my third impression. Two were consistent to each other and this one is different and definitely older. It’s probably not the killer’s, but John said we needed to be thorough.”

McGaven nodded. “I agree. If this crime scene is connected to the other one at Lookout Ridge, then we need the evidence to tie them together.”

“Ten-four,” she said and continued her task.

McGaven saw that Hamilton was speaking with the officers first on the scene so he took the opportunity to check out around the building. Everything was extremely overgrown, looking more as though it had been abandoned for years, not months. The weeds were extremely tall and had folded over due to their height and weight. There was an area where pallets, recyclable materials, and miscellaneous pieces of metal equipment had been stacked in the deserted area.

Still walking carefully, he was trying not to step on something potentially hazardous or possibly evidence-oriented. The further he walked the quieter it became—the voices around the crime scene seemed to settle to a low hum as he studied the back area. The sun was high and beat down on him making perspiration trickle down his back. He kept walking, but nothing appeared out of the ordinary. He thought about what Katie would do—he had been with her at many crime scenes and knew she would try to get a sense of the area, to look for places where the killer might have been.

The back of the building looked much like the front except more weather-beaten. The grey paint faded in areas and the windows on the second floor were dirty with some broken out. He observed the inconsistencies of the exterior of the building. Even though there wasn’t any graffiti to deface the area, the elements had caused rough and weathered places resembling an industrial mosaic appearance.

As he perused the area, he noticed a trail where weeds had been trampled, not by animals, but by something bigger. A person. Stopping in his tracks, he systematically scanned the area. There were no other signs indicating disruption to the weeds, so he cautiously moved forward. He spotted some paper or a piece of garbage rolled up tightly and wedged into the crevice of an exterior vent. It could have been easily missed or even dismissed, but something in McGaven’s gut made him take notice. He was going to alert John and Eva in order to have them search and document the area, but his instinct drove him to verify the origins of the paper first after quickly taking a photo of it with his cell phone.

Taking two more steps to meet up with the wall, he retrieved his gloves and slipped them on, and then carefully touched the paper. Leaning in, McGaven noticed that it appeared to be consistent to ordinary computer paper that had something printed on it. It wasn’t weathered and the printing was dark and readable. In fact, the paper appeared to be recent.

McGaven gently unrolled the paper. The condition and edges were as if it had been placed recently – there were no folds or fragile areas. As he continued to unroll it, he saw it was an article most likely printed from the internet. To his shock, the title read: Pine Valley Detectives Solve Three Murders in Coldwater Creek.

McGaven took a step back—his senses were now heightened as he glanced around, surmising that the killer had placed this article for them to find.

Why?

Was it the killer’s calling card? Was he taunting the police?

Was there another article hidden at the previous crime scene at Lookout Ridge they had missed?

The article concerned the last case that he and Katie had worked in a neighboring town. All the details flowed through his mind. It had been tough and dangerous. He carefully replaced the paper where he had found it and hurried to alert John.

About Jennifer Chase

Jennifer Chase

Jennifer Chase is a multi award-winning and USA Today Best Selling crime fiction author, as well as a consulting criminologist. Jennifer holds a bachelor degree in police forensics and a master’s degree in criminology & criminal justice. These academic pursuits developed out of her curiosity about the criminal mind as well as from her own experience with a violent psychopath, providing Jennifer with deep personal investment in every story she tells. In addition, she holds certifications in serial crime and criminal profiling.

Author Links  

Website | BookBub | Twitter | Facebook | Instagram | Goodreads

Michael Stephen Dow is married to Perla in Arizona and has 3 kids.  Michael was on a path to attend medical school and then the events of September 11, 2001 occurred.  Michael became angry at the terrorists and decided to join the US Air Force.  He went through Officer Training School and then graduated specialized Navigator training to become an Electronic Warfare Officer.  Michael deployed 6 times for the Global War on Terror between 2005 and 2009 with the EC-130H Compass Call mission.  Michael medically retired in 2010 and then became an US Army contractor serving Wounded Warriors and ensuring they received all of their entitled benefits for 8 years.  Michael always had a love for science and the human body so he then used his GI bill to go through nursing school and graduated in August 2020.  Michael now works as a Registered Nurse at an inpatient psychiatric hospital.  Michael’s education is as follows: B.A. in Psychology from Auburn University in 1999, B.S. in Biology from the University of Alabama at Birmingham in 2001, M.S. in Management from Troy University in 2010, Masters in Health Administration from the University of Phoenix in 2017, and M.S. from the University of Arizona in 2020 through its 15 month accelerated Masters Entry to the Profession of Nursing program.  Michael is the Founder and Manager of Dow Creative Enterprises, LLC.  His books have garnered the Silver Nautilus Book award in 2020 (Nurse Florence, Help I’m Bleeding) and an Award-Winning Finalist in the Religion category for the 2021 International Book Awards (A Prayer to Our Father in the Heavens: Possibly the Greatest Jewish Prayer of All Time).  Michael believes we will need the best of science and religion to successfully navigate ourselves, our civilization, through the future obstacles we will face.  More information can be found at www.DowCreativeEnterprises.com and www.NurseFlorence.org.  Nurse Florence® is a federally registered trademark by Dow Creative Enterprises.  The Nurse Florence® series seeks to promote science and health among children and to help increase the health literacy levels of our society.  With teamwork, inclusion, faith and perseverance, we can bravely face our problems and help each other reach our better selves as well as our best collective good.

Author Links  

Website | Facebook 

Interview

Would you call yourself a born writer? 

Yes.  I started writing poetry in high school as well as some short stories.  I amazed myself at how well I did in my college English classes.  I’ve written some adult books that have one some awards as well as the Nurse Florence health book series for kids which has won many awards including two best series awards.  I believe I have a gift of writing.

What was your inspiration for Nurse Florence, What Are Emotions?

My illustrators get to choose the topic for every fourth book.  Anastasia’s choice was to explore emotions.  We go into the science of emotions and other things to help kids understand the nature of emotions.  We do our best to bring college level education down to an elementary level.

What themes do you like to explore in your writing? 

Many.  The current project, Nurse Florence, explores general science of how the human body works as well as disease topics.  The next series which will launch next year will explore mental health for kids.  We have a crisis in this country that seems to affect every family.  We need stable mental well-being, and we plan to help with that goal through the next series.  We have many more series planned but need one series to take-off to fund the others.

How long did it take you to complete your book?

It took 63 days.

Are you disciplined? Describe a typical writing day. 

I listen to Beethoven as I write books.  His music is very calming for me and brings me a lot of tranquility.  I write the books as I get illustrations for the books.  It is unpredictable when I get the drawings since I don’t have deadlines for my illustrators since this project is a hobby for all of us.  I work a lot of overtime at the hospital and have a family, so I write when I am able.

What did you find most challenging about writing this book? 

Dow Creative Enterprises has a well-established routine for producing the books so nothing in particular was challenging.  Writing books is a lot of fun for me.  It helps me dig deeper into the science of the human body.  Synthesizing information is a little exhilarating for me.  Each book is an accomplishment, and each book has some things that made it special.  This book used a unique illustration style by Anastasia with cut-outs and three-dimensional images.  She did a great job!

What do you love most about being an author?

Teaching people difficult topics in a way that they can walk away knowing they are more informed.

Did you go with a traditional publisher, small press, or did you self publish? What was the process like and are you happy with your decision? 

Dow Creative Enterprises, my company, is a small press using a self-publishing platform.  We publish a new book every ten days.  I am pleased with Lulu and how simple they made the process of publishing a book.  I am also happy with the distribution channels.

Where can we find you on the web?

www.nurseflorence.org

John Andrew Fredrick is the author of five novels and one book on the early films of Wes Anderson. He is the principal songwriter/singer of an indie rock band called The Black Watch that has released twenty-two albums to considerable acclaim. As Popmatters.com has observed, he is an accomplished painter. His poems have appeared in The Los Angeles Press, Santa Barbara Magazine, and Artillery, among others. He lives in Los Angeles and London. Visit him on Facebook at https://www.facebook.com/john.a.fredrick and Goodreads at https://www.goodreads.com/book/show/177676792-the-king-of-good-intentions-part-three.

Would you call yourself a born writer? 

No, on account of writers are made not born. I am a born READER, however. I don’t trust people who don’t a) cook; b) read widely and deeply. 

What themes do you like to explore in your writing?   

How people relentless are themselves, despite their good intentions. How clueless most of us are about our motives and morals. How LA is a treasure trove of pretentious idiots and humble geniuses like myself. How love wins NOTHING in the end, despite what utter sentimentalists would have you believe. 

How long did it take you to complete your novel? 

Oh, a couple of weeks or so. I write fast and edit slow. 

Are you disciplined? Describe a typical writing day. 

I wrote my PhD dissertation in two months. I would say yes. Very. Always have been. But as I student I was good in one subject and rubbish in all the rest. English Lit, natch. 

Did you go with a traditional publisher, small press, or did you self publish? What was the process like and are you happy with your decision? 

I’ve gone with a small press each time–after years and years of writing queries and sending out samples of my work. Not a few friends who are writers have quite bitterly gone on to self-publish after having been contracted to large publishing houses. Nearly everyone I know has a nightmare story. My story is more like a daymare. This is a topic that warrants serious attention. Just as in the record industry the cliche goes “Almost all bands hate their record label,” so do writers often have great/grave concerns about their publishers. I do what I can to help, of course, but it all comes down to money. David Foster Wallace often likened the publishing game to a lottery. He said that innumerable deserving novelists never will get their books published. Self-publishing has changed that. I think I would like to believe, with Sir Vidia Naipaul, that “a good book will find its way.” Sometimes that takes yonks. I am quite obviously patient, myself. It’s a good idea to have a screenplay of your novel written–in case The Movies come a-calling. But that’s quite the longshot as well. Yes, I’m  happy today with Embers Arts Press. Ask me tomorrow, though. Haha. Kidding. The guy who runs it, Alex Green, is a wonderful comedic writer like, well, me. He is therefore muy simpatico to all of the trials and tribs of the pub game.”

Where can we find you on the web? 

www.facebook.com/theblackwatchmusic

About the Book

Title: The King of Good Intentions III
Author: John Andrew Fredrick
Publisher: Embers Art Press
Publication Date: September 12, 2023
Pages: 457
Genre: Fiction/General Fiction/Humorous/Black Humor

goodreads add to

As The Weird Sisters return from their first What-Could-Go-Wrong (spoiler alert – everything) National Tour, bandmates/lovers John and Jenny face their iffy futures together (or apart) as the brilliant and mysterious Katie upends the romantic/artistic balance that’s been precarious-at-best. The unmitigated vanity, the mythopoeic beauty, the megalomania and heartbreak, the exquisite talent and ludicrous hubris – it’s all here in Fredrick’s wonderful, tart-sweet, final installment.   

Buy Link

amazon 2

David Myles Robinson has always had a passion for writing. During the late 1960’s and early 1970’s, while in college, Robinson worked as a freelance writer for several magazines and was a staff writer for a weekly minority newspaper in Pasadena, California. Upon graduating from San Francisco State University, he attended the University of San Francisco School of Law. It was there that he met his wife, Marcia Waldorf. In 1975 the two moved to Honolulu, Hawaii and began practicing law. Robinson became a trial lawyer and Waldorf eventually became a Circuit Court judge.   

Upon retiring in 2010, Robinson completed his first novel, Unplayable Lie. He has since published eight more novels. 

Website: www.davidmylesrobinson.com    

Twitter: http://www.twitter.com/DMRobinsonWrite   

Facebook: https://www.facebook.com/DavidMylesRobinson  

Instagram: https://www.instagram.com/davidmylesrobinson

Would you call yourself a born writer?

I would have to say yes. I’m certainly not a great, florid, writer, but I’ve always had an ability to put things into the written word. I remember when I turned twelve, which was the day before President Kennedy was assassinated, I wrote a long poem/ode that weekend, which the minister in our church read to the entire congregation. I wrote my first short story in seventh grade. Then I went on to write for my school papers, a minority newspaper in Pasadena, CA, and wrote a number of articles as a freelance journalist for national magazines. After becoming a trial attorney, my writing became a bit stilted and formal. I wrote a full novel while still working, but it was pretty awful, which is why when I was about to retire and started writing fiction again, I wrote a golf related suspense novel (Unplayable Lie) so as to avoid any legalese. I’ve published nine novels in total.

What was your inspiration for Tropical Scandal? 

All of my Pancho McMartin legal thrillers are inspired by actual events and circumstances in Hawaii. Tropical Scandal was inspired by a huge scandal involving the Hawaii police and judiciary. My story is pure fiction, but the real life story, while not involving murder, is every bit as bizarre.

What themes do you like to explore in your writing?

My themes are kind of eclectic, depending on whether I’m writing a legal thriller inspired by true events or stand-alone suspense thrillers. I do tend to write about racism (as in my novels Tropical Judgments and Words Kill), and can get a bit political in some of my stand-alones.

How long did it take you to complete the novel?

About six months, including all the re-writes.

Are you disciplined? Describe a typical writing day.

I am only disciplined when I’m actually involved in writing a book. I don’t write every day between books, but when I’m writing, I can write for hours at a time, day after day. 

What did you find most challenging about writing this book?

I don’t do outlines, so it is both a challenge and enjoyment to have an idea and simply start writing. It is not uncommon for me to write myself into a corner and have to retreat to where I began to go awry. Part of the joy is the personal suspense of where I’m going with a particular story.

What do you love most about being an author?

I simply love writing. I certainly don’t do it for money or fame, although I love it when someone contacts me to say how much they enjoyed a book they just finished. For some reason I feel a need to write, whether it is personal poetry or essays or novels. 

Did you go with a traditional publisher, small press, or did you self publish? What was the process like and are you happy with your decision?

My first novel was a golf related suspense novel, and although I had good input from a number of agents, they all seemed to feel the subject was too limiting. I was lucky enough to find a small, traditional publisher in Florida who loved the book and published my first three or four novels. I later tried to land an agent again for one of my stand-alone books and did so, but she was unable to sell it to a big publishing house and she referred me to a hybrid publisher, which published the next six novels. I am now back at my original traditional publisher. I’m happy with my decisions, although it was daunting to learn how difficult and potentially expensive it is to properly market a novel.

Where can we find your book on the web?

Tropical Scandal is at all the major sites, such as Amazon and B&N. There is a link at my website, davidmylesrobinson.com. It can also be purchased directly from the publisher, Bluewater Press, LLC.

Louis J. Ambrosio ran one of the most nurturing bi-coastal talent agencies in Los Angeles and New York. He started his career as a theatrical producer, running two major regional theaters for eight seasons. He taught at over 7 universities in America. Ambrosio also distinguished himself as an award-winning film producer and novelist over the course of his impressive career.  

Author Links  

Website | Facebook | Twitter | Instagram | Tumblr | Universal Link

Would you call yourself a born writer?

No I was a born talker—bad writer until a few years ago I could write

What was your inspiration for Reflections on the Boulevard?

My life all the people I spoke to on the bench

What themes do you like to explore in your writing?

Life/death face of God individuality and mostly truth which give you freedom

How long did it take you to complete the novel?

Complete is a hard work—2 months fo first complete draft 2 hours a day than th e editor I read a lot of total time 7 month before reveal

Are you disciplined? Describe a typical writing day.

I work during the day we are film producers we have or had 5 films. Out onplatform—than I work from 9 to11 I write do spelling and syntax review think a lot what I just wrote and the next morning I reread waiting to start again at night

What did you find most challenging about writing this book?

Nothing I find it all relaxing but research is a problem—your research is especially important. You must keep all your research in order–do not be called out for bad research

What do you love most about being an author?

The ablity to share my thoughts in a fictional book but for me they are all real

Where can we find your book on the web?

Buy Links:

Amazon | Apple | B&N | Kobo | Smashwords | Author’s Website | Bookbub

LJ Ambrosio giving away one $20 Amazon Gift Card & an Autographed Copy of Reflections on the Boulevard!

Terms & Conditions:

  • By entering the giveaway, you are confirming you are at least 18 years old.
  • Two winners will be chosen via Rafflecopter to receive either a $20 Amazon Gift Card or an autographed copy of Reflections on the Boulevard.
  • This giveaway starts August 28 and ends September 22.
  • Winner will be contacted via email on September 23.
  • Winner has 48 hours to reply.

Good luck everyone!

ENTER TO WIN!

Stella Atrium is writing The Tribal Wars series. The first trilogy is available as ebooks and in print. BookLife has awarded the Editor’s Pick designation for each book upon its release.    

Home Rule rounds out the first trilogy and received first place in the 2023 Artisan Book Review Awards for Science Fiction and Fantasy.     

Book 4 titled Tribal Logic is scheduled for release in early 2024. Also be certain to pick up Atrium’s standalone novel Seven Beyond that won a 2014 Reader’s Favorites award in science fiction.   

Website: https://stellaatrium.com   

Twitter: https://www.twitter.com/SAtriumWrites 

Facebook: https://www.facebook.com/SAtriumWrites

Would you call yourself a born writer?

When I was 14, I told my four brothers that I would grow up to be a great American writer like F. Scott Fitzgerald (who was alive at the time.) I can still hear the mocking laughter. I stuck with it, though. Writing was confession, then therapy, then discipline, then expression, then style, then a race toward completion. 

What was your inspiration for your The Tribal Wars series?

I’m so pleased you asked about the series.  HOME RULE was just released broadly and debuted in August 2023 on Amazon ebooks in the Top Ten for its science fiction category. 

I set out with two principles. The first was that the female characters drive the plot. How do women succeed in a conflict zone? The fighting is at their doorstep and the family men are taken for the militia.  How to manage food and safety and giving the kids a reason to keep going? How to become leaders so that your voice is heard in the public square? 

My second principle was to tell stories that reflect our world today. Although Dolvia is a distant mining planet, the struggles are similar to what we see on the news broadcast for regime change, oppressed groups, migrant flows, and overcoming adversity by personal will.

What themes do you like to explore in your writing?

Women working together has always fascinated me, maybe because I had no sisters. Women fight differently than men, more adept at payback than fisticuffs. I looked at characters in leadership roles, married women, fighting women in the militia, and young girls who just want a ticket out of the conflict. 

That’s not to say that I neglected the male characters who are militia leaders or medical doctors or Consortium generals at the space station Stargate Junction. 

How long did it take you to complete your third book in the series, Home Rule?

I had an interesting writing challenge with this series. As I went forward with the next book, and the next, I needed to return to certain scenes in previous stories to ensure that a character who is important later has a memorable entrance. I kept going back and forth until the continuity and pacing worked. 

I feel that this extra time ensured better plotting.  Reviews often mention the tight plots, so I’m sort of proud of that struggle. 

Are you disciplined? Describe a typical writing day.

Pushing away other interests is harder than it looks. This summer has been so beautiful that I just have to go outside. But my loyalty is to my characters. I write in the mornings before the demands of the phone and email. Now that I’m promoting, less writing gets done. I have to carve out those hours by dropping other tasks – like washing the car or watching baseball.

What did you find most challenging about writing this book?

HOME RULE pulls together story threads that were developed in the first two books. We see the characters grow into adults, but we also see their world change when a ruler who has always been there is forced to step down. An emerging democracy is fragile and dependent on big personalities with a narrative of hope and unity. How to talk about big social change using the personal stories of favorite characters? 

What do you love most about being an author?

Sales! I love the idea that readers who I haven’t met are immersed in the storylines and find resonance with their own problems. When a reader thinks, “She shouldn’t have done that,” wanting the character to get past her flaws, then I know I have succeeded as a writer.

Did you go with a traditional publisher, small press, or did you self publish? What was the process like and are you happy with your decision?

I self-published the series and other books. A traditional house wants formula writing with standard characters and a straight story line. I knew I wasn’t a candidate for their fast results.  

I learned so much as a self-publisher about business and time management on a year-long calendar. And about working with others. Since I have a series, I tried to find partners who I can return to for the next push. The most satisfying part is the great people I met along the way. 

Where can we find your book on the web?

HOME RULE is published widely in August 2023, so available everywhere. Book 4 in the series titled TRIBAL LOGIC is due for release in January 2024. 

About Home Rule: Book III of The Tribal Wars

Title: Home Rule: Book 3 of The Tribal Wars
Author: Stella Atrium
Publisher: Stella Atrium Writes LLC
Pages: 458
Genre: Science Fiction

Sarafina di Ramonicc In book 3 of the award-winning series, photojournalist Hershel Henry witnesses the loss by self-torching of tribal women. The Madquii and Gora tribes have laid siege to the city of Urbyd, and Brianna Miller must seek a peace treaty.   

Kelly Osborn travels to Stargate Junction to set the wedding of ambassador Otieno. Hershel Henry opens a gazette to report on pending elections for home rule, but then shocking events upset their plans.  

Amazon: https://www.amazon.com/dp/B0C44QT91N